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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Another nice one from Sade – perhaps not as edgey as some of her earlier work, recorded in a slightly smoother style, but still quite nice to our ears – as Sade's always been a pleasure, no matter what the setting! Includes the nicely grooving "Nothing Can Come Between Us", ... LP, Vinyl record album
Think what you want – we think this is a damn great soul album! Sure, the record was a crossover classic that got played to death back in the 80s – but give it a listen now, and you'll be stunned to hear how fresh it sounds, and how much it reminds you of all the British soul acts that ... LP, Vinyl record album
A funky soul instrumental classic – all the way through! The team of Eldee Young and Redd Holt first came to prominence with Ramsey Lewis' first Chicago trio, then branched out on their own as a jazz act – but by the time of this set, they'd picked up a hipper, funkier late 60s sort of ... LP, Vinyl record album
Barry White was always the victim of his own success – in that he cut so many excellent records early on, that folks always over look the great stuff he did in later years. This 1979 album is a perfect example of Barry's greatness in this respect – as it's still totally on the money, ... LP, Vinyl record album
The second album from Brass Construction – heavy horns, basslines, and stellar dancefloor grooves – a stone classic! The first one was totally great, but they cast a wider stylistic claim on II – their trademark funky sound is still very firmly in place, but they bring more to ... LP, Vinyl record album
Killer 3LP set that brings together just about every single track you'd ever want from Marvin's early years at Motown! The gamut runs from early pop singles to the politically progressive work of his What's Going On years. Titles include "You're The Man", "Trouble Man", "I ... LP, Vinyl record album
One of the most enduring albums on the Prelude label, and a great bit of modern soul by James "D-Train" Williams. Hubert Eaves produced the album, and he added lots of tasty electro keyboards to the set, played with his usual jazzy touches and a nice flourish that gives Williams' voice a ... LP, Vinyl record album
Great group vocals by one of Motown's biggest groups to never really make it. This album has some of their best cuts, with a sweet harmony sound, and raw production that works quite well with the band's approach. The best example of this is the cut "We Can Make It Baby", but other nice ... LP, Vinyl record album
One of Isaac Hayes early 70s classics for Stax Records – a perfectly conceived masterpiece of baroque soul that builds and builds as the set goes on! Ike heads up the instrumentation on electric piano, vibes, and plenty of percussion – but he's also getting strong support here from the ... LP, Vinyl record album
Quite possibly the best album ever from Ohio funky soul combo Switch – and certainly proof that the hope of Motown in the 80s was in ensemble group funk! This second album holds up really well, and thanks to some sweet production by Bobby DeBarge and Jermaine Jackson, the record's got a warm ... LP, Vinyl record album
Hard to believe that in a few short years at Atlantic, Aretha Franklin could come up with a full LP's worth of material to be deemed "gold" for this 1969 compilation – but that's definitely the case, as if these tunes didn't all make gold record status at the time, they're certainly ... LP, Vinyl record album
First volume of the two LP set that compiled JJ's bop trombone sides for Blue Note. Great stuff, and arguably among some of his best work. The arrangements are tight, and JJ's in the company of great rhythm players like Kenny Clarke, Horace Silver, and Paul Chambers, who make the sessions really ... LP, Vinyl record album