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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The legendary AACM trio makes a memorable appearance at the 1978 Montreux jazz fest, captured live here by Novus. The trio of Henry Threadgill, Fred Hopkins, and Steve McCall are at their best here – and the set features 3 great original compositins ("Suisse Air", "Let's All ... LP, Vinyl record album
Classic AACM material from Chicago, strangely issued on Arista, but produced by Michael Cuscuna with all the care of a small-label session. The classic lineup of Henry Threadgill, Fred Hopkins, and Steve McCall is firmly in place – and they band interacts with a sense of humor and ... LP, Vinyl record album
One of their early classics, and still one of the greatest groups with roots in the Chicago AACM scene. Henry Threadgill, Fred Hopkins, and Steve McCall play modern experimental versions of compositions by Jelly Roll Morton and Scot Joplin – plus Threadgill's own "Paille Street". LP, Vinyl record album
Oliver Lake works here with guitarist Kevin Eubanks – a player who's mainstream moments might not seem like a match for Lake's more avant leanings – but a surprisingly great combination in the space of this mid 80s set for the Black Saint label! Eubanks has a way of matching Lake's ... LP, Vinyl record album
Not the kind of blues that's blue – to borrow a phrase – but a cool change in style for violinist Leroy Jenkins, and a session that has him working in a weird new groove! The lineup here includes two violins, two guitars, bass, and drums – all coming together in a rompingly ... LP, Vinyl record album
One of David Murray's straighter sides from the early 80s – and exactly the kind of record to prove to the world that he could be a strong tenor traditionalist while still bringing an inventive sound to play! Murray's tone is deep and soulful, and often quite lyrical – set nicely in a ... LP, Vinyl record album
Genius work from Adegoke Steve Colson – a player who always has a great way of bridging many different worlds in jazz! The album's got a relatively spiritual feel, but a slightly avant bent too – very much in the spirit of some of the under-documented work going on in Chicago's AACM ... LP, Vinyl record album
Beautifully arranged work from David Murray – an important early large group recording, one that really helped point the way to some of his later genius! The session features Murray leading an all-star octet that includes Henry Threadgill on alto, Olu Dara on trumpet, Butch Morris on cornet, ... LP, Vinyl record album
First volume of the two LP set that compiled JJ's bop trombone sides for Blue Note. Great stuff, and arguably among some of his best work. The arrangements are tight, and JJ's in the company of great rhythm players like Kenny Clarke, Horace Silver, and Paul Chambers, who make the sessions really ... LP, Vinyl record album
A lost bossa jazz classic from Dizzy Gillespie – recorded at a time when Lalo Schifrin was working in his combo! The record's got a cool, laidback kind of groove – one that's miles away from Gillespie's earlier bop work, and which shows him opening up his rhythmic conception strongly ... LP, Vinyl record album
One of the classics, and one of the first albums where McDuff got away from the snoozy organ sound of his early records, and really started to jam with an edge. Joe Dukes is on drums, and Harold Vick is wailing on tenor. With great cuts like "Smut" , "Our Miss Brooks", and ... LP, Vinyl record album