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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Classic AACM material from Chicago, strangely issued on Arista, but produced by Michael Cuscuna with all the care of a small-label session. The classic lineup of Henry Threadgill, Fred Hopkins, and Steve McCall is firmly in place – and they band interacts with a sense of humor and ... LP, Vinyl record album
One of their early classics, and still one of the greatest groups with roots in the Chicago AACM scene. Henry Threadgill, Fred Hopkins, and Steve McCall play modern experimental versions of compositions by Jelly Roll Morton and Scot Joplin – plus Threadgill's own "Paille Street". LP, Vinyl record album
Not the kind of blues that's blue – to borrow a phrase – but a cool change in style for violinist Leroy Jenkins, and a session that has him working in a weird new groove! The lineup here includes two violins, two guitars, bass, and drums – all coming together in a rompingly ... LP, Vinyl record album
One of the greatest gifts of the Soul Note label was the way that it could take sessions with avant-oriented players, and make them turn out straighter jazz material – but with a really nice edge! This session's a perfect example of that legacy – as it features David Murray at the head ... LP, Vinyl record album
Lots of angular moments here – a relatively free, improvised session led by Leroy Jenkins on violin, and featuring work by Andrew Cyrille on percussion and Anthony Davis on piano! The record explodes with energy from the start – quite different than some of Jenkins' more sonically-orien ... LP, Vinyl record album
Oliver Lake works here with guitarist Kevin Eubanks – a player who's mainstream moments might not seem like a match for Lake's more avant leanings – but a surprisingly great combination in the space of this mid 80s set for the Black Saint label! Eubanks has a way of matching Lake's ... LP, Vinyl record album
One of David Murray's straighter sides from the early 80s – and exactly the kind of record to prove to the world that he could be a strong tenor traditionalist while still bringing an inventive sound to play! Murray's tone is deep and soulful, and often quite lyrical – set nicely in a ... LP, Vinyl record album
In "back", the title is pointing to the fact that Gene Ammons is back on the scene, after being released from 7 years of a tragic 15 year narcotics sentence in prison. The album marks a proud return for Jug – who'd not recorded since a very successful flurry of sides recorded in ... LP, Vinyl record album
Beautiful – simply beautiful – one of the greatest Wayne Shorter albums for Blue Note, and one of our favorite jazz albums ever! The record is a masterpiece of lyrical delight – soul jazz mixed with slight touches of experimentalism – but still warm, swinging, and personal ... LP, Vinyl record album
Wickedly funky work from the Jazz Crusaders – a pivotal set that has them electrifying their groove a bit more from the 60s, yet still not hitting the smother sound of later years! The core soul jazz mode of the group's start is still nicely in place – hard-hitting grooves from Wayne ... LP, Vinyl record album
A groovy groovy electric set from Hammond giant Shirley Scott – a set that really kicks things up in the rhythm department, in a way ties the album as much to Atlantic Records soul of the 60s as it does to some of Scott's earlier work for Prestige! There's a great pulse at the bottom of the ... LP, Vinyl record album