This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
We realize that there are many different interpretations of the standard grades used
for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with,
so you have an idea what we mean when we give the grade for a non-new item on our pages.
Used Vinyl Grades
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for
the cover should be assumed to be near (within a "+" or "-")
the grading for the vinyl.
If there is significant divergence from the condition of the vinyl, or specific flaws,
these will be noted in the comments section of the item. However, please be aware that
since the emphasis of this site is towards the music listener, our main concern is with
the vinyl of any used item we sell. Additionally, please note that all of our records
are graded visually; considering the volume of used vinyl we handle, it is impossible
for us to listen to each record. If we spot any significant flaws, we make every attempt
to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A record that has a Motown hit for its title, but the album's got a depth that marks Bennett as one of the most complex singers of his generation – way past the broad belter of ballads from the 50s, and an all-adult male vocalist whose sound was essential to the sophistication of the ... LP, Vinyl record album
A classic from Jimmy Rushing – recorded at a time when he was really finding a new audience for his vocals! In a style that Columbia was using on a number of sides in the late 50s and early 60s, Jimmy and Buck do a bit of educatin' – and trace a progression of jazz styles from New ... LP, Vinyl record album
One of the last great records ever made by Sarah Vaughan – a really solid session of Brazilian tunes, one that's produced by Sergio Mendes, arranged by Dori Caymmi, and which features guest vocals by Milton Nascimento! The general approach is west coast mellow – as the group features ... LP, Vinyl record album
One of the rare Columbia sessions from Jackie & Roy – and a set that has them cutting new small combo versions of tunes they also did in the 50s – giving them a leaner style here, and a mighty nice swing! Includes a great version of "Dahuud", "Could You Use Me", ... LP, Vinyl record album
A mad mad afternoon with the great Babs Gonzales – one of the hippest jazz singers ever! The set is one of Babs' best on records, and it features a mix of jazz vocals and hipster monologues that shows perfectly the mixture of talent and hustling that Babs used to make a name for himself in ... LP, Vinyl record album
Alive were one of the hippest all-female combos of their time – and although they were marginalized in the womyn's music ghetto for most of their career, they've got a great sound that's been rediscovered over the years by crate-diggers and jazz dancers! This first album is a gem through and ... LP, Vinyl record album
Later work from both Merrill & Evans – but recorded with an icy edge that comes off surprisingly well! Most tracks are standards, done in the mode of Merrill's 50s work for Mercury, with some of the touches of Evans' 80s orchestrations – and titles include "Summertime", ... LP, Vinyl record album