Gene Ammons : Big Bad Jug (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
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Big Bad Jug

LP (Item 45131) Prestige, 1972 — Condition: Near Mint-
Jug's big and bad here in tone – and the style is nicely complicated at times – a bit more open-ended and electric than before, with a sound that's almost like the shift that Stanley Turrentine was making during his years at CTI! There's still a bit of the previous Prestige funk in the mix – thanks to drums from Billy Cobham, and organ from Sonny Phillips – but the group also includes up-and-comer Maynard Parker on guitar, who gets in some nicely snakey lines at times – slinking through the tunes with a warmly chromatic edge that's mighty nice, and which sets the tune for some of Ammons' more laidback solo moments. His tenor's still as strong as ever, though – blown with a beautiful sense of tone, on tracks that include "Lady Mama", "Big Bad Jug", "Lucille", "Fly Me", and "Fuzz" – plus a nice version of "Papa Was A Rolling Stone" with a sweetly gentle break!  © 1996-2024, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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