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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Blue Note 2-fer that brings together some of Gil Evans' great modernist jazz pieces for the World Pacific label. The material was all recorded in New York in 1958 and 1959, and the groups include crack jazz players like Steve Lacy, Art Blakey, Cannonball Adderley, Johnn Coles, Elvin Jones, and ... LP, Vinyl record album
Gil Evans plays an electric grand piano and is joined by a rather large set of musicians who include Masabumi Kikuchi on a variety of synthesizers, Billy Cobham on drums, Lou Soloff on trumpet, George Lewis on trombone and many others. Tracks include two Evans originals – "Copenhagen ... LP, Vinyl record album
A great example of the way that Gil Evans really opened up his groove in the 70s – moving here way way past the cool jazz and third stream of earlier years – into a soulful style that's far groovier than might be expected! Part of the strength of the set is because of the players ... LP, Vinyl record album
A key later album from alto saxophonist Benny Carter – one that has him at the helm of a largeish group, but playing with a nicely focused sort of groove! In addition to Benny's alto, the record also features tenor sax from Charlie Rouse and Coleman Hawkins, plus one more alto from Phil ... LP, Vinyl record album
A landmark album of vocal jazz – and one of the few sessions that John Coltrane ever cut with a singer! In a way, the album's more Hartman's than it is Coltrane's – given that Johnny's warm, mellow style of singing isn't as free and open as Trane at his most adventurous – but at ... LP, Vinyl record album
A great counterpart to some of Archie Shepp's studio albums for Impulse – a live date recorded in San Francisco, with a slightly freer, sharper edge! The sound is almost free at times, but always with that strong sense of focus that Archie brought to his brilliant work of the time – ... LP, Vinyl record album
One of the most beautiful albums that Charlie Haden ever recorded – and if he only ever appeared on one record in his life, we'd still love him tremendously for this one! The album has a feel that's very much in keeping with both the "liberation" and "orchestra" in the ... LP, Vinyl record album
One of the first moments of genius from a young Pharoah Sanders – a set that builds on the energy of John Coltrane's Love Supreme generation – but takes it in a much more expansive direction! The album's got a sense of majesty that's years ahead of its time – righteous, positive, ... LP, Vinyl record album
Killer stuff by Art Blakey – one of his few non-Blue Note sessions from the time, and a hard-wailing set that features the Jazz Messengers as a sextet! The format is one that flourished briefly in these early 60s years – and in this case, the already great lineup of Lee Morgan on ... LP, Vinyl record album
No bebop here, despite what you might guess from the title – and instead an album of much freer lines and wider musical vision, captured with Keith Jarrett's famous group of the 70s! Jarrett plays a bit of soprano sax alongside his piano, and the rest of the quartet features Dewey Redman on ... LP, Vinyl record album
A classic bit of avant Shepp for Impulse – recorded in the mid 60s, at the same time as the Live in San Francisco album, with the same quintet, but not issued until years later! The album is in a different vein than the San Francisco album – one that shows the band stretching out more ... LP, Vinyl record album
Sweet Latin licks from Clark Terry and Chico O'Farrill – cut in a mode that's very similar to O'Farrill's best Verve work of the 60s! The vibe is kind of a mod take on Afro Cuban sounds – not really Latin soul, but with a playful vibe that mixes together jazz and Latin with equal parts ... LP, Vinyl record album