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Trammps III

LP (Item 45050) Atlantic, 1977 — Condition: Near Mint-

The record's so hot, it set fire to the model's shoulder on the cover – and for good reason, too – given the strengths of the Trammps on the Philly Groove scene of the 70s! Many acts tried to copy their sound, but few did it this well – a legendary Philly group who were first out of the gate with the new club style of the 70s – a perfect blend older east coast harmonies and all the best instrumentation that Sigma Sound had to offer – work by the core quintet of Earl Young, Harold Wade, Robert Upchurch, Jimmy Ellis, and Stanley Wade – but a true collaborative effort between wonderful musicians, the production team of Baker Harris & Young, and even master mixer Tom Mouton. There's plenty of great groovers in a Philly disco mode – but our favorite track is the mellowest – "Seasons For Girls", which is a beautiful smooth mellow stepper, one that runs for 8 minutes long, with some excellent harmony vocals. Other titles are great, and include "Love Per Hour", "The Night The Lights Went Out", "People Of The World, Rise", and "Living The Life".  © 1996-2020, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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