Darn nice work from The Staple Singers – a record that seems to take the leaner, meaner sound learned by the group during their soundtrack years, and turn it back towards the fuller, more righteous sound of the Stax years! The album was recorded at Muscle Shoals, with very solid production and instrumentation throughout – a top-shelf effort that shows that even at this later date, a group like The Staples can still get some good sounds out of the studio. A few tracks are a bit mis-stepped, especially when Mavis steps out a bit too strongly in the lead – but overall, there's plenty of nice surprises on the record – and tracks include "Chica Boom", "Don't Burn Me", "Handwriting On The Wall", "Mystery Train", "I Want You To Dance", "Love Being Your Fool", "Showdown", "Unlock Your Mind", and "Leave It All Up To Love". (Cover has a cutout hole.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.