This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The title track of his follow up LP to Juicy Fruit (even though the labels say this is from the LP Prime Time – perhaps a pre-release title for the album), this track is considerably more downtempo, but has the same crisp electronic drums, and nice light synth melodies piano lines floating ... 12-inch, Vinyl record
Think what you want about the Pet Shop Boys, this tune's still got a simple charm that we love – one of the last gasps of early 80s British pop seeping into American club – and a nicely spoken lyric that still beats out most of what was going on in US pop at the time! 12-inch, Vinyl record
Karen's big cut, the only one we'll remember her for, and a big campy track in its day. Served up here on an original West End single, with vocal and instrumental versions both stretching past the 8 minute mark. 12-inch, Vinyl record
The title track to Diana Ross' classic album with Ashford & Simpson – served up here in a special disco mix! The single's backed by a track produced by Hal Davis, lifted from the Thank God It's Friday soundtrack. 12-inch, Vinyl record
An unlikely, but huge influence on the Chicago and Detroit house scenes of the 80s! Liaisons Dangereuses were a German combo with a sound that was part post-punk, part post-prog – electronic-based music that was somewhere in the neighborhood of Cabaret Voltaire and DAF. And like those two ... 12-inch, Vinyl record