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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An overlooked record in the grand scheme – which is unforgivable in our book! This self-titled album Prince's second album, and already his vision is becoming a little more focused, and you can really hear the seeds of his later efforts – a really remarkable, unique, and fascinating ... LP, Vinyl record album
One of the tightest albums ever cut by this San Francisco funk combo – one titled after their lead singer Lydia Pense, who'd become a much better vocalist by this point than she was on earlier efforts. The album's strongest point, though, is still the instrumentation – which is ... LP, Vinyl record album
Classic! The third LP from the Time, and last before Morris Day went off and started his solo career – though by this point Jimmy Jam and Terry Lewis had departed the group. Nonetheless, the sound is still tight modern funk, with Jesse Johnson and crew keeping things in the great post-Prince ... LP, Vinyl record album
Bass heavy funk from Larry Graham – a record done when he was moving into the solo spotlight a bit more than before, but a set that's still got an undeniable Graham Central Station groove! The tunes are tight, but never too polished – and lie in a sweet little space that's somewhere ... LP, Vinyl record album
A weird little record from Bill Cosby – a set that's not as all-out funky as some of his other vocal albums, but still pretty nice overall! The style here is more bluesy than soul-based, but production is still by Fred Smith, of 103rd Street Rhythm Band fame – and the album has a sense ... LP, Vinyl record album
Bootsy Collins steps strongly from the shadow of George Clinton here – and wrote, arranged, and produced most of the album himself! Of course, George was having plenty of his own troubles at the time – but that only allowed Bootsy to take the helm even more, and step out with a batch ... LP, Vinyl record album
A landmark record from Maria Muldaur – quite different than the rougher folsky work she cut in the 60s – and done with a really warm studio sound that's pure 70s all the way through! Maria's working here with some older folksy contemporaries – like David Grisman, Ry Cooder, and ... LP, Vinyl record album
A really great album from 70s supergroup Stuff – one that shows that the group could sparkle just as much in a live setting as they could in the studio – really opening up with a sense of spontaneity that shows that their sublimely tight music wasn't just he product of some clever edits ... LP, Vinyl record album
One of the best Candi Staton albums from the 70s – recorded for Warner Brothers, but with strong southern production by Rick Hall and the Fame Studios team. The group includes classic Muscle Shoals players like Spooner Oldham, Roger Hawkins, and Jimmy Johnson – and although the record's ... LP, Vinyl record album
Amazing stuff from Isaac Hayes! Although Ike had first appeared on LP with the album "Introducing", this was the first record to really expose his true soul genius – and it was also the first release on Ike's successful sub-label at Stax, Enterprise Records. The record shows that ... LP, Vinyl record album