This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Customers who are signed in and have open orders may add items to their order for combine shipping and faster checkout.
This reserves the item sooner, securing your place in line — which is great when ordering hard-to-find items!
to add this item to your open order.
then checkout as usual.
Produced by Kevin Jones & James Anderson. (Original pressing – no barcode. Both labels have some water staining.)
Very Good - (minus)
Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
3 tracks from one of the most important acid house acts of the Chicago scene! Phuture were the brainchild of DJ Pierre – and they had a complicated mix of beats and electronics that predated the Detroit Techno sound for a few years, and was touched with all the darkness of the best Chicago ... 12-inch, Vinyl record
A classic bit of club crossover from Matt Johnson – served up here in a whopping 10 minute 12" single version! We're actually more partial to "Three Orange Kisses" – which is a much darker, exotic-styled number. 12-inch, Vinyl record
Great early work by Wrecks-N-Effect! The cut's the blueprint for the New Jack sound – but it's a lot harder than most of the hits, and sounds more like a James Brown remix project than a piece of modern soul! 12-inch, Vinyl record
What a cut! This was the only truly great one that Family Stand ever cut – and coming out in 1990, it was as direct a rip of the Soul II Soul style as you could ever have – but it was also sort of a return of righteousness to the soul charts, and since Jazzie B remixed it for this ... 12-inch, Vinyl record