Wicked work from Dexter Wansel – a funky classic for Philly International, put together with just the sort of care he brought to his albums for other artists! The album's a bit more straight Philly than some of Dexter's earlier records – a bit less of the cosmic funk from before, but in its place are some amazing jazzy backings – modern soul galore, with key adult touches – completely sublime throughout, and wrapped up with more great keyboards than you're likely to find on other Philly albums! The album features a killer cut – "The Sweetest Pain", a smooth stepper with some subtle keyboard grooving behind warm female vocals by Terri Wells – and other great tracks include "Funk Attack", "New Beginning", "One For the Road", "It's Been Cool", and "I'll Never Forget My Favorite Disco". (Includes the printed inner sleeve. Cover has light creasing.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.