Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

That Is Why You're Overweight

LP (Item 44417) Atlantic, 1976 — Condition: Near Mint-

Eddie continues the funky groove begun on Instant Funk, and smoothed out over albums like I Need Some Money – and although jazz fans probably gave him hell for going this way, we think this is actually a pretty darn great album! The record takes all of Eddie's experimentation with groovy styles from the early 70s, and filters it through some tighter playing that actually makes the groove a lot more compelling than before. A number of the tracks have vocals, almost in a humorous Bill Cosby mode – but in a way that also preserves the party feel of the cuts. Players include Bobby Lyle, Paul Humphrey, Buck Clarke, and Bradley Bobo – and one Chicago-recorded track features a great assortment from older years that includes Muhal Abrams, Odell Brown, Marshapp Thompson, Willie Henderson, and Richard Evans. Titles include "Tryin Ain't Dyin", "Ooh", "Exempt", "Live Again", "Flowers", "Why Do You Hurt Me", and "It's All Right Now".  © 1996-2019, Dusty Groove, Inc.
(Cover has an unglued top seam.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Eddie Harris

Best Of Eddie Harris
Atlantic, Late 60s. Very Good
... LP, Vinyl record album

Eddie Harris

Free Speech
Atlantic, 1970. Near Mint-
Often overlooked, but a nice little record from Eddie's early electric period on Atlantic! The group is a very soulful one made up of Jodie Christian on electric piano, Louis Spears on bass, Billy Hart on drums, and Felix Henry on percussion. The overall sound is more restrained than some of ... LP, Vinyl record album

Eddie Harris

Here Comes The Judge
Columbia, Mid 60s. Very Good+
A great lost album from Eddie! The record was one of his few cut for Columbia – recorded between his early years at Vee Jay and his hit years at Atlantic – and it's an excellent little batch of cuts, with a tight Chicago soulful grooving sound, and a strong approach that mixes hardbop ... LP, Vinyl record album

Eddie Harris

Soul Of Eddie Harris
Up Front, Early 60s/Late 60s. Very Good+
No real dates or notes on the cover, but the album appears to include some of Eddie's excellent early work for the Vee Jay label – a wonderful blend of soul jazz and slightly experimental phrasing, and the kind of groundbreaking material that got Eddie noticed very early on in his career. ... LP, Vinyl record album

Eddie Harris

Live At Newport
Atlantic, 1971. Very Good-
Very cool sounds from the amazing Eddie Harris – a live set, cut at the popular Newport Jazz Festival – but one that's arguably even freakier and more freewheeling than some of Eddie's studio work for Atlantic! Eddie's horn is really plugged in for the set – a Varitone, which is ... LP, Vinyl record album

Eddie Harris

Explosive Eddie Harris
Vee Jay/Sunset, Early 60s/Late 60s. Very Good+
Although this set was issued on Sunset during the late 60s, it's most likely comprised of material recorded for Vee Jay earlier in the decade – when Harris was working in a groundbreaking style that mixed soul jazz and exoticism, into an amazing blend that still deserves huge recognition ... LP, Vinyl record album
Atlantic, 1968. Near Mint-
Great stuff from one of Eddie Harris' greatest periods! This one was cut in the late 60s – when Eddie was creating his famous electrified Varitone sound – unique among other jazz players in that it actually added a lot to Eddie's work, instead of detracted from it (as with some other ... LP, Vinyl record album

Eddie Harris

Instant Death
Atlantic, 1972. Very Good+
Damn great work from the amazing Eddie Harris – a record that's got a perfect blend of jazz and funk, but still holds onto more righteous elements too! Eddie's using his electric sax in a really great way – not as a gimmick at all, but as a way of linking both the soulful and ... LP, Vinyl record album

Eddie Harris

Excursions
Atlantic, 1973. Near Mint- 2LP Gatefold
A super-long batch of messed-up funky jazz from Eddie Harris! The record's got Eddie working all aspects of the electric sax – in a similar style to some of his other work on the best Atlantic albums of the 70s (like Instant Death of Plug It In) – and the group features a shifting cast ... LP, Vinyl record album

Eddie Harris

Exciting Eddie Harris
Kent, Early 60s. Very Good+ 2LP
2LP set that brings together a load of Eddie's great recordings for the Vee Jay label – cut back in the days when he was a real soul jazz experimentalist, with an incredible knack for mixing styles. Tracks include the incredible "Oliphant Gesang", a wild number that's part Yusef ... LP, Vinyl record album

John Coltrane

Coltrane's Sound
Atlantic, 1960/1966. Near Mint-
One of the more obscure John Coltrane albums for Atlantic – but a beautiful batch of spiritual numbers that really show him pushing towards the sound of A Love Supreme! The date on the album's 1966, but the material was recorded earlier – in that key turning point year of 1960, when ... LP, Vinyl record album

Ornette Coleman

Shape Of Jazz To Come
Atlantic, 1959. Near Mint-
An album that certainly lives up to the promise of its title – as it's filled with amazing instrumentation, groundbreaking compositions, and a sound in jazz that few ears could imagine at the time! The groove here is extremely modal – all instruments rolling along on the same rhythmic ... LP, Vinyl record album
 



⇑ Top