During the mid 70s, some of the older New York soul indies were the first to get on the disco tip – and one of the biggest was Scepter Records, who found the burgeoning movement to be a perfect foil for some of its older vocal groups and singers. This set is a lost 1975 release on Scepter, featuring disco mixes of tunes that had appeared on the label as singles – all handled by the legendary Tom Moulton, one of the greatest forces in the disco studio scene on the east coast. There's a total of 8 tracks in all – including "Make Me Believe In You" by Patti Jo, "We're On The Right Track" by Ultra High Frequency, "Wan Tu Wah Zuree" by George Tindley, "Ain't No Love Lost" by Patti Jo, "Arise & Shine" by The Independents, and "Needing You" by Clara Lewis. (Original gatefold pressing.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.