A stunner from Bill Barron! The set's one of the few rare sides that Barron cut as a leader during the early 60s – and it ranks right up there with work by Ornette Coleman or Joe Harriott for sheer raw modern power! The group's a quintet – with Barron and Booker Ervin on tenor, Larry Ridley on bass, Kenny Barron on piano, and Andrew Cyrille on drums – and the warm interplay between Ridley's bass and Barron's piano provides a striking contrast to the sharp-edged horn of Barron and the adventurous drumming of Cyrille. Tracks chop around in a modal groove, but still also retain a bit of soul jazz flair – and like all of Barron's best work, they never forget how to swing, and swing they do! Titles include "Bill's Boogie", "Groovin", "A Cool One", "Playhouse March", and "Work Song". 80's pressing, with previously unissued track "Billie's Bounce". (Cover has a small mark from an old sticker, and a cut corner.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.