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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Even at this early point in their career, the Modern Jazz Quartet were plenty proud of their relation to and reception in Paris – almost rubbing their international fame in the faces of other American combos with the title and cover of this record! The set's still got the quartet at their ... LP, Vinyl record album
A stone classic from the Modern Jazz Quartet – recorded back when the group still featured Kenny Clarke in its membership, but already with some of the more serious, somber tones that would mark the combo's more famous years! Tracks here are from a variety of sessions in 1953, 1954, and 1955 ... LP, Vinyl record album
Volume 1 of a double-length live set from the legendary Modern Jazz Quartet – recorded in Scandinavia in 1960, almost as a summation of the group's growing genius in the 50s! The tunes are a mix of John Lewis and Milt Jackson originals, plus other songs all given the wonderful MJQ twist ... LP, Vinyl record album
A seminal album that defined the fresh sound of a whole new generation in jazz – that "third stream" movement that was different from the cool jazz of the west coast, and the fire of New York! The style here follows that same mix of jazz and higher-concept elements you'd hear on ... LP, Vinyl record album
Keith Jarrett's really pushing himself here – playing piano with some of the freewheeling qualities that would make him a huge new talent in the 70s, and also picking up some other instruments as well! Although the set's billed to a trio – Jarrett with Charlie Haden on bass and Paul ... LP, Vinyl record album
One of the best early albums cut by John Lewis as a leader – a set that's a fair bit different than John's work with the Modern Jazz Quartet – thanks to strong guest appearances from players who include Paul Gonsalves and Benny Golson on tenor sax, Eric Dolphy on alto, Jim Hall on ... LP, Vinyl record album
Billy Cobham's always got something funky going on in his music – and this 70s classic for Atlantic Records has the drummer at the height of his powers – really mixing together jazz, rock, and funk impulses – all without some of the overindulgence of his more jamming records of ... LP, Vinyl record album
Herbie Mann hits the discos – but given the flute player's roots in jazz, the set's more of an electric funk outing overall! Herbie's working here with his Family of Mann group – that cool combo that features lots of work on keyboards from Pat Rebillot, who also handled the ... LP, Vinyl record album
A mix of fusiony jazz rock, a bit of funk and some more sweeping arrangements – sometimes in the span of a single song on this fairly underappreciated Atlantic set from Jan Akkerman! Mixing easy listening and funk is the kind of thing that's pulled off pretty well, or falls completely flat, ... LP, Vinyl record album