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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A mad bit of music from the great Bo Diddley – recorded after his early 70s funk records on Chess – but with a similar genre-tripping style! The album's got this full-on fuzzy feel right from the start – put together by producer Ron Terry, who matches Diddley's wilder side with ... LP, Vinyl record album
Forget the silly cowboy costume on the front cover – because this is a heck of a great album! Bo might have gotten saddled (no pun intended!) with a silly gimmick for the title and image of the set – but the album's one of his best from the early Chess years, and features a rip-roaring ... LP, Vinyl record album
Messed up funky blues from drummer Willie Williams – here leading a Chicago group that includes work by Pinetop Perkins, Eddie Taylor, Roy Lee Johnson, Carel Bell, and Little Mack. There's no all-out funk tracks on the record – but it does have a soulful edge overall, especially in ... LP, Vinyl record album