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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An early moment of genius from Warren Zevon – the kind of record that really set his talents part from the singer/songwriter generation that came before – and made Zevon a key part of a new era of much darker songsmiths! Zevon manages to weave in all these strange moody elements while ... LP, Vinyl record album
An unusual trio on Elektra Records at the start of the 70s – Jerry McCann on vocals, guitar, and flute – with Jack Jacobsen on organ and piano, and Rick Cutler on percussion – on titles that include a nice version of "Moondance", plus "These Things I Know", ... LP, Vinyl record album
Much more of a hard rock affair than the group's third LP – kind of a return to the heavy guitars of Da Capo after the baroque beauty of Forever Changes – but a stone winner nonetheless! Arthur Lee's genius is still firmly in place, and although there's a back to basics rock feel on ... LP, Vinyl record album
With the classic "Bohemian Rhapsody" – plus "I'm In Love With My Car", "You're My Best Friend", "39", "Sweet Lady", "Seaside Rendezvous", "The Prophet's Song", "God Save The Queen", "Lazing On A Sunday ... LP, Vinyl record album
A true masterpiece for The Cure – possibly their best ever! Robert Smith and company had flirted with moody pop before, but they really hone in on that with Head On The Door, and it's as essential as anything they'll ever do – a knockout from the the opening seconds of "In Between ... LP, Vinyl record album
One of the wildest records of the early 70s – and it's still pretty darn hard to argue with the power of this one – even if the meddling of the producers are nearly as legendary as the album itself! There's still such a manic energy the original release mix – one that clearly ... LP, Vinyl record album
Raw postpunk electronics from OMD – not necessarily as dark as work from groups like Cabaret Voltaire or early Human League, but with a nicely stripped down feel that showed that the punk ethos could be filtered down to the world of Kraftwerk and some of the more overblown electronicists of ... LP, Vinyl record album