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Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Latifah's first single (back before she became Queen Latifah!). Released in the summer of 1988 around the same time as the first De La single, it still stands as one of the classics from Tommy Boy's glory days. Both tracks feature nice raw production by Mark The 45 King. 12-inch, Vinyl record
Ahh, this takes us way back to 1991 when this track ruled the airwaves as the hip hop anthem of the summer. Maybe hip hop's changed a lot since then, but we still don't mind hearing this one again, with that infectious Jackson 5 sample that never gets old to our ears, and neither does Naughty By ... 12-inch, Vinyl record
"Fly Guy" is a good answer record to the Boogie Boy's "Fly Girl". Unlike the usual hip hop answer records, this one is not a dis, but instead using the same idea and music and reversing the genders. Definitely a reminder of an earlier era, what makes this one kinda nice is the ... 12-inch, Vinyl record
The record everyone's used for the "I Want Action" sample. One of the first records produced by Russell Simmons, with beats by Orange Krush, who did most of the beats for the early Run-DMC records. 12-inch, Vinyl record