One of our favorite albums ever from Grace Jones – a record that has her shedding some of the disco excesses of earlier years, and moving into a great blend of sounds that really showcases the energy of the New York scene from which she sprang! The album was recorded in Nassau, with help from Sly Dunbar on drums, Robbie Shakespeare on bass, and Wally Badarou on keyboards – and most tunes have an edgier feel that makes Jones sound even darker than before. There's loads of great disco-not-disco moments – from the straight funk of "Pull Up To The Bumper" to the insane post-punk grooving of "Demolition Man" – to other tracks that include "I've Seen That Face Before (Libertango)", "Art Groupie", "Walking In The Rain", "Nightclubbing", and "Use Me". (Cover has some lgiht wear.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.