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It's Time For Love

LP (Item 433128) Philadelphia International, 1981 — Condition: Near Mint-
A mellow stunner in the legendary Teddy Pendergrass solo run for Philly International – and a set that's every bit as perfect as the rest of Teddy's classics from the time! There's few folks we'd trust more with a mellow groove than Teddy P – and on a set like this, he's totally at the top of his game – almost single-handedly wrapping up all the best mellow soul elements forged in the 70s, then putting them out in a fresh, mature sound that's all his own – one that still has vocals that's deeper than just about anyone else working at the time, yet which also comes across with a smoothly seductive feel that's as powerful now as it was a few decades back! Definitely the standard for male ballad soul of the 80s – with cuts that include "I Can't Live Without Your Love", "You Must Live On", "I Can't Leave Your Love Alone", "Nine Times Out Of Ten", and "Keep On Lovin Me".  © 1996-2022, Dusty Groove, Inc.
(Includes the printed inner sleeve. Cover has a name in pen on both sides and some notes in back. Labels have some pen.)

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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