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Wes Montgomery Trio (aka A Dynamic New Jazz Sound)

LP (Item 43288) Riverside, 1959 — Condition: Very Good
Also available
Wes Montgomery — Wes Montgomery Trio (Japanese paper sleeve edition) ... CD 14.99

Wes Montgomery's first album as a leader – a relatively obscure set that has him playing in a trio with Indianapolis bandmates Mel Rhyne on organ and Paul Parker on drums – a mode that strongly recalls Montgomery's roots in the Indy scene at the time! If you only know the later, famous Wes Montgomery with bigger charts, you'll be surprised to hear him here in a cooking little combo – the kind of group that made Mel Rhyne a local Hammond hero in Indy, although it seemed to take decades for him to get any sort of larger recognition. The groove is straight and simple, but the real charm is Wes' chromatic lines on guitar – already quite distinctive among his contemporaries, and allowed ample room to express their voice in this setting. Titles include "Ecorah", "Missile Blues", "Too Late Now", "Jingles", and "Whisper Not".  © 1996-2019, Dusty Groove, Inc.
(Small blue label Bill Grauer Productions pressing with microphone logo and deep groove, RLP 12-310. Cover has light wear, discoloration from age, and splitting in the bottom seam.)

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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