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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A wonderful twin-alto session from the mid 50s – and one of our favorites from the RCA jazz years! Gene Quill was always one of the crisper, tighter alto talents of the time, and he's ably paired here with a young Phil Woods – an equally crisp player at this point in his career, ... LP, Vinyl record album
Directed by drummer Ray McKinley after Glenn Miller's death, with featured solists that include Ed Zandy on trumpet, Ray Black and Cliff Hoff on tenor, and Lennie Hambro on alto. LP, Vinyl record album
A classic session in the tried and true marketing style of "East Coast vs West Coast" jazz, with one side of tracks by a group led by Al Cohn, and featuring Gene Quill, Hal McKusick, and Joe Newman. The other side's got Shorty Rogers representin' on the West Coast, with Jimmy Giuffre, ... LP, Vinyl record album
Tight big band work from Shorty Rogers – cut a few years after his early LA sides for RCA, but in a very similar mode. The tracks are slightly longer than usual, and it's stunning how many players get to solo on each track Most only get a few bars, but they make more than enough with the ... LP, Vinyl record album
With Brad Gowans on trombone, Billy Butterfield on trumpet, Arthur Rollini on tenor, Joe Dixon on clarinet, Paul Ricci on bass sax, Joe Bushkin on piano, Tony Colucci on guitar, Jack Lesberg on bass, and Dav Tough on drums. LP, Vinyl record album
A live set from this obscure Mexican jazz combo – recorded in the early 60s, in a mode that's kind of a small combo take on an Ellington sound, but with some freer twists too! The approach is nicely offbeat – starting out familiar at first, but then opening up with some offbeat ... LP, Vinyl record album
Smooth and silky jazz funk from trombonist Urbie Green – a record that's much more in a mainstream R&B fusion mode than his earlier work – yet also arranged by David Matthews in a soulful style that still keeps things pretty real on the best cuts! The group's a good one for the ... LP, Vinyl record album
Mellow and wonderful work from Billy Taylor – caught here in a setting that feels much more relaxed and unrestrained than some of his other 50s outings! The group's his classic trio with Percy Brice on drums and Earl May on bass – and Billy's incredibly inventive on the keys, working ... LP, Vinyl record album