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Jazz A La Bohemia

LP (Item 430920) Riverside, 1956 — Condition: Very Good+
Temporarily Out Of Stock

LP, Vinyl record album

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Key early work from the great Randy Weston – a live performance from Cafe Bohemia, featuring an unusual group that includes Ahmed Abdul-Malik on bass and Cecil Payne on baritone sax! The presence of Payne makes the record more than just an angular piano trio outing, and allows Weston to begin to display some of his talents for unusual horn passages – in a way that features Payne's baritone alongside some rhythmic piano lines, showcasing a mode that would come out even more strongly in larger group sessions a few years later. But at another level, the choice of the tunes also showcase the changing role of the pianist in jazz – as the set almost allows you to hear Weston changing from a barroom tinkler of the ivories to a more prominent artist in the spotlight. 2 tracks feature Payne stepping aside for more intimate explorations by the Weston trio – and titles include "Solemn Meditation", "Just A Riff", "Once In Awhile", "Hold Em Joe", and "Chessman's Delight".  © 1996-2020, Dusty Groove, Inc.
(Small blue label Brill Grauer Productions pressing, RLP 12-232, with microphone logo.)

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



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