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Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Classic Sonny Stitt for Verve – one of those masterful albums he cut for the label in the 50s – all in a format that's misleadingly simple on paper, but surprisingly complex in execution! Stitt's backed by a trio that includes Lou Levy on piano, Leroy Vinnegar on bass, and Mel Lewis on ... LP, Vinyl record album
Beautiful late 50s work from Stitt – filled with subtle complex solos, and a rich confident tone that was missing from earlier records! As with some of his other Verve sessions from the time, the track list is mostly standards – but unlike some Verve sessions, Stitt never gets lost in ... LP, Vinyl record album
One of the best CTI albums from the early 70s – and one of Stanley Turrentine's funkiest records as well! The album's got a sharper edge than most other Turrentine albums of the time – a quality that goes beyond Stan's already soulful approach to the tenor, and which brings in some ... LP, Vinyl record album
A masterpiece from Gene Harris – an album that's probably been his biggest influence on the sound of soul in the 21st Century, and for good reason too! The set moves way beyond both Harris' acoustic piano roots in the Three Sounds, and his other electric sides of the 70s – into sublime ... LP, Vinyl record album
One of the great funky albums that Gene Ammons cut for Prestige at the start of the 70s – quite different than his earlier work for the label, and a very different showcase for his tenor genius! The whole lineup here is amazing – a quintet that features heavy drums from Idris Muhammad, ... LP, Vinyl record album
One of the great albums cut by pianist Neal Creque – a player who's best known for his work with Pucho & The Latin Soul brothers, but who cut some very nice sides on his own during the early 70s. The album's a very nice batch of groovy stuff that mixes piano, electric piano, and organ, ... LP, Vinyl record album
A great little record – one of Houston's most successful for Prestige! The album follows strongly in that late 60s pre-funk mode that Prestige was cooking up – tight and groovy, with electric bass dropped into the mix, electrifying things a bit, but still really just grooving in a ... LP, Vinyl record album