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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Quite possibly one of the greatest southern soul singles of all time! Sure, you know Loleatta best for her disco work – but "Cry To Me" is a wonderful weepy ballad, done with these haunting strings that literally "cry" with the song, and written by Sam Dees with that ... 12-inch, Vinyl record
An excellent 80s groove classic! James D-Train Williams sings it nice and deep on this catchy club cut – but the real groove is put over by Hubert Eaves, who does some excellent work on keyboards! 12-inch, Vinyl record
We know, this huge hit got well overplayed in its heyday, not to mention still getting thrown into rotation a bit more than some other deserving MJ cuts, but you can't argue with the solid Quincy Jones production that gave this track its top of the charts status! 12-inch, Vinyl record
An odd collaboration between Afrika Bambaataa and John Lydon that was sort of club hit at the time, but we're not sure what to make of it these days. Dense production by Bill Laswell with his standard heavy beats, guitar and synth lines. The vocal version has Bambaataa and Lydon predicting the end ... 12-inch, Vinyl record