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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Lockjaw and Johnny Griffin cut a pile of excellent albums together during the early 60s, but this one's one of our favorites! The record's a bit tighter than most – with the twin-tenor lineup grooving together on some short hard vamping numbers that have a very in-the-pocket groove. The ... LP, Vinyl record album
Kenny Dorham plays sweet hardbop trumpet on the two different sessions that make up this LP. One session's got Cannonball Adderley on alto and Cedar Walton on piano, with sort of a sweet laidback sound, as with some of Dorham's other sessions from the time. Track on this one include "Blue ... LP, Vinyl record album
A great record – and easily one of Harold Land's best! The session brings Land in from the west coast, and records him in New York with his regular rhythm combo that included the great Amos Trice on piano, Clarence Jones on bass, and Joe Peters on drums. But, added to that quartet is the ... LP, Vinyl record album
An obscure trio side from under-recorded Chicago pianist Chris Anderson – who plays here with Bill Lee and either Walter Perkins or Philly Joe Jones on drums, in a trio that made the core of the rhythm section on Frank Strozier's excellent Jazzland date, Long Night. The group is in fine form ... LP, Vinyl record album
One of the few albums ever cut as a leader by Les Spann – an extremely talented jazz player who worked a lot with Dizzy Gillespie in the 50s, and Quincy Jones in the 60s! Les plays both guitar and flute on the set – grooving soulfully in a mode that recalls the stylings of Frank Wess ... LP, Vinyl record album
One of the best Junior Mance albums from the time – mostly because it's got Melba Liston arranging a larger group to back up Junior on the set! As on most albums of this type, Junior's almost better when he doesn't have to lead a trio – because he can concentrate on bouncing around ... LP, Vinyl record album
Excellent work from Oscar Pettiford – his last sessions, in case you couldn't tell by the title, recorded in Copenhagen in 1959 and 1960, with players that include Allan Botchinsky on trumpet, Jan Johansson on piano, Erik Nordstrom on tenor, and Luis Hjulmand on vibes. Despite the ... LP, Vinyl record album
An unusual record for vibist Johnny Lytle – one that has him breaking from his usual trio formation, to work in a super-tight lineup that includes some soul jazz heavyweights! The sound's quite different than Lytle's usual mix of organ and vibes, but still pretty darn great – thanks to ... LP, Vinyl record album
The title certainly gets it right – as the album features some of the first unique modern work by Randy Weston on wax – important trio material that was as important as key 50s sides by Thelonious Monk or Herbie Nichols! The session has Randy working with Sam Gill on bass and Art ... LP, Vinyl record album
Fantastic bit of lost Chicago jazz, featuring an incredibly tight and soulful combo made up of a bunch of obscure players who never really made it otherwise. The group features George Patterson on alto and soprano, Charles Kinnard (not Kynard) on tenor, Cleo Griffin on trumpet, and Tom Washington ... LP, Vinyl record album
Clark Terry's breezy trumpet is paired with Don Butterfield's tuba for a real "top and bottom" session of brassy jazz. The two of them are backed by a sharp rhythm section that includes Jimmy Jones on piano, Sam Jones on bass, and Art Taylor on drums. The set's got a lot of nice ... LP, Vinyl record album
Soaring and soulful work from the legendary John Coltrane – a tremendous live set that's one of his best early 60s albums! The groove is open and free – filled with pulsating modal rhythms, and handled with a slightly more relaxed feeling than some of Trane's studio work from the same ... LP, Vinyl record album