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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An explosive moment of greatness from the legendary Art Blakey – a record that takes off immediately, thanks to help from a young lineup that features Bobby Watson on alto, Valery Ponomarev on trumpet, and Dave Schnitter on tenor – three talents who would go onto become jazz legends in ... LP, Vinyl record album
A Basie 2-fer! First up is Kanas City Suite – a great little set – despite our initial fears! We'll admit that we're the first ones to shy away from anything that says "Kansas City" in the title – as we expect a lot of hoke – but this album's a surprisingly great ... LP, Vinyl record album
The soulful Hammond of Bill Doggett gets a sweet shift for the 60s – hitting a mod jazz mode that Bill no doubt inspired by his groundbreaking work of the 50s! The groove here is nicely snapping – in a space between soul instrumental work and jazz, with lots of tight guitar from Billy ... LP, Vinyl record album
Hardly an "encore" of the first Stan Getz Jazz Samba album – as this set's got a slightly different feel, and lots of great elements that make it really unique! This time around, Brazilian musician Luiz Bonfa is on guitar – already a skilled proponent of the bossa by the time ... LP, Vinyl record album
This stunning live set has been hailed by many as one of the finest moments of Miles' mid 60s career – music played with a frenetic energy that even blows away the famous studio sessions of the time! The group here is a landmark lineup – young modernists Wayne Shorter on tenor, Herbie ... LP, Vinyl record album
A classic set from reedman Charles Lloyd – a set that really pushes forward all the experiments he'd begun in the Chico Hamilton group – and shows a bold move forward for rhythms in 60s jazz! The tracks are long, and spiral out wonderfully – but in ways that are different than ... LP, Vinyl record album
A nice little session that features Roy with an expanded group – a core combo that features Oscar Peterson on organ and piano, Buddy Tate on tenor, Ray Brown on bass, and Barney Kessel on guitar, plus a larger set of string backings by George Williams. Tracks are short, with mostly solos by ... LP, Vinyl record album
A pretty great little fusion set from saxophonist Sam Morrison – as slinky, sloping, and seductive as the title – and a record that might have been right at home on CTI! The album features all original tunes by Morrison – played with a very cool group that includes Al Foster on ... LP, Vinyl record album
No real date or personnel on this one, and the album's a live set recorded, most likely, at some time in the 50s. The quality of the recording isn't great, and you hear a heck of a lot of crowd noise – but the work's an interesting document of Pres during the period, as the tunes are all ... LP, Vinyl record album
A large group session – led by Leonard Lonergan on soprano sax and Hannibal Peterson on trumpet – with work from Calvin Hayes on alto, Lucas Mason on African wood flute, Grover Page on guitar, Whitney Booth on banya drum, and Willis Carter on trumpet! LP, Vinyl record album