This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
Black vinyl that may show a slight amount of dust or dirt.
Should still be very shiny under a light, even with slight amount of dust on surface.
One or two small marks that would make an otherwise near perfect record slightly less so.
These marks cannot be too deep, and should only be surface marks that won't affect play,
but might detract from the looks.
May have some flaws and discoloration in the vinyl, but only those that would be
intrinsic to the pressing. These should disappear when the record is tilted under
the light, and will only show up when looking straight at the record.
(Buddah and ABC pressings from the 70's are a good example of this.)
May have some slight marks from aging of the paper sleeve on the vinyl.
Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A great early example of the genius of mixing guitar with the piano of Oscar Peterson – a move that might have been inspired by the success of Ahmad Jamal, but which works equally well for Peterson's sound on the keys! The tracks here feature either Herb Ellis or Irving Ashby on guitar ... LP, Vinyl record album
An unusual Verve album from Oscar Peterson, and one that really lives up to its title! There's no drummer on the album at all – just bass from either Ray Brown or Major Holley – which leaves plenty of space for Oscar's work on the keys of the piano, opening up warmly with a really ... LP, Vinyl record album
Count Basie taken down a few notches – not in quality, but in terms of the size of the group – as Oscar really opens up some of the Count's standards in a whole new way, by playing them with a stripped-down quartet that features Herb Ellis on guitar, Ray Brown on bass, and Buddy Rich on ... LP, Vinyl record album
Mellow magic from Oscar Peterson – recorded for MPS during the mid 60s, but "secret sessions" that didn't get issued until later! The album features Oscar working some incredible wonders on the piano – working with either Sam Jones or Ray Brown on bass and Bob Durham or Louis ... LP, Vinyl record album
Pure genius from Oscar Peterson – one of his finest moments ever! The record is very different than most of Oscar's over-recorded trio format ones – and features Claus Ogerman crafting some impeccable backings of lofty strings and compressed horns, creating a pillow of air that takes ... LP, Vinyl record album
A dream of a record from Gary McFarland – lightly jazzy instrumentals with a warm bossa nova undercurrent! The style is incredible – a sweet blend of vibes, guitar, and even some light whistling – often also featuring wordless jazz vocals – scatting along with the groove in ... LP, Vinyl record album
Solo work by Bill Evans – recorded in 1968, at a time when he was increasingly exploring gentleness in his work! The album's quite haunting – done with no other musicians, no overdubs (as in other solo 60s albums) – just Evans alone at the keys, expressing himself with a somber ... LP, Vinyl record album
A nice mid 70s 2LP set – one that features the complete first Jazz At The Philharmonic concert – with performances by Nat King Cole, Illinois Jacquet, Billie Holiday, Les Paul, and JJ Johnson. LP, Vinyl record album
Basie hits the hits of the 50s and early 60s – working here with some tight Billy Byers arrangements that really help transform the tunes! The groove is upbeat, bright, and brilliantly soulful – that punctuated Basie groove first formed when Neal Hefti was with the group, still carried ... LP, Vinyl record album
Great stuff from Gary – one of his more obscure albums, and a record dedicated to the signs of the Zodiac! The tracks are a mixture of Gary's usual easy jazz approach – with vibes, whistling, and bossa-style rhythms showing up a lot – plus a few more driving numbers that are more ... LP, Vinyl record album
A nice, nice compilation of sides cut by Powell for Norman Granz, from 1949 to 1951. Given Powell's well documented bouts with instability and alcoholism, there are several periods that lasted for months and sometimes years when he would go unrecorded. The first dates on this set come at the end ... LP, Vinyl record album