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LP (Item 427080) Liberty, 1957 — Condition: Used
Out Of Stock

LP, Vinyl record album

4.50 5

One of the hippest Red Norvo records ever – a rare outing for Liberty that features Buddy Collette on reeds, bringing in a new level of color to the Norvo group! Red's work on vibes is precise and nicely chromatic – often coming across in waves of sound on the mellower tracks, and with a poppingly melodic quality on the more upbeat ones. Other players include Dick Shreve on piano, Bill Douglass on drums, and either Curtis Counce or Joe Comfort on bass – and titles include "A Few Days After Xmas", "Tar Pit Blues", "Shreve-Port", "The Brushoff", and "Fifth Column". (Teal label pressing with a promo ink stamp, including the rice paper inner sleeve. Cover has some splitting on the top seam.)  © 1996-2015, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.

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