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Chuck Jackson Arrives
LP (Item 42636) Motown, 1968 — Condition: Near Mint-
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Chuck arrives at the Motown label – and already finds a fresh new sound that's different from his earlier years at Wand Records! Chuck only worked with Motown for a few short years, but his time at the label marked a big shift in his work – a move away from the more staid "Iceman" soul of the Wand recordings, and into a sound that was deeper, more expressive, and nicely mature as well. There's a growing southern soul sensibility to many of these tracks – as Chuck seems to be taking a cue from some of the better singers of the late 60s, and deepening his sound with influences brought north from Memphis and Muscle Shoals. The core sound's still prime Motown, though – with top-shelf arrangements and productions – and in a way, these recordings mark the link between Memphis and Detroit that would be explored a lot more heavily in key 70s recordings by Don Davis and other producers who skirted between the two cities' scenes. Titles include "Lonely Lonely Man Am I", "To See The Sun Again", "Ain't No Sun Since You've Been Gone", "I Can't Go On Sharing Your Love", and "Where You Gonna Run To Now". © 1996-2024, Dusty Groove, Inc.
(Stereo pressing with deep groove. Cover has a split lower corner, cutout hole, and lightly bendy top corner. Includes Motown inner sleeve.)
(Stereo pressing with deep groove. Cover has a split lower corner, cutout hole, and lightly bendy top corner. Includes Motown inner sleeve.)
Near Mint - (minus)
- Black vinyl that may show a slight amount of dust or dirt.
- Should still be very shiny under a light, even with slight amount of dust on surface.
- One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
- May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
- May have some slight marks from aging of the paper sleeve on the vinyl.
- Possible minor surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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