One of those 70s two-fers where Prestige went back and decided dicing up all those sessions in the 50s and 60s didn't make as much sense as issuing them as the way they went down. As such, this set collects work from one long blowing session, which eventually saw the light of day as two separate albums, Soul Junction and All Morning Long. The sides are a great meeting point between 50s hard bop and some of the looser, earthier styles that were beginning to show up in the first years of soul jazz! Red Garland works here with a super solid quintet featuring John Coltrane and Donald Byrd in the front plus Art Taylor and Jamil Nasser in the rhythm section. 8 numbers in all, including the very lengthy "Soul Junction" and "All Morning Long", plus "Woody'N You", "Birk's Works", "I've Got It Bad", "They Can't Take That Away FromMe", "Our Delight" and "Hallelujah". © 1996-2016, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.