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Got A Good Thing Goin'
LP (Item 4217) Blue Note, Mid 60s — Condition: Very Good+
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A classic by Big John Patton! The master organ player is joined by Grant Green on guitar, and the much-overlooked drummer Hugh Walker – a fantastic player on the kit, little known, but who played with this incredible "skipping" groove – one that sounds that reminds us a lot of some of the work that Joe Dukes did with Jack McDuff in the 60s! There's no bass on the set at all – and Walker's drums combine with added conga from Richard Landrum – giving the songs an extra roll, and a modal approach that expands Patton's sound past his usual gutbuckety soul jazz! Includes loads of great tracks – especially the jazz dance classic "The Yodel", as well as on Sam Cooke's "The Shake", Duke Pearson's "Amanda", and the great "Soul Woman". © 1996-2023, Dusty Groove, Inc.
(New York stereo pressing with Van Gelder stamp. Includes the 27 Years Of Blue Note sleeve. Cover has discoloration from age, some stains at the corners, some splitting in the top seam, small split in the bottom seam, and is bent at the top left corner.)
(New York stereo pressing with Van Gelder stamp. Includes the 27 Years Of Blue Note sleeve. Cover has discoloration from age, some stains at the corners, some splitting in the top seam, small split in the bottom seam, and is bent at the top left corner.)
Very Good + (plus)
- Vinyl should be very clean, but can have less luster than near mint.
- Should still shine under a light, but one or two marks may show up when tilted.
- Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
- This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
- May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.
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