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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
The title track to Edwin's album of the same name – and a joyous club-happy groover that definitely lives up to its name! The real appeal is a bassline that comes in after the first minute or so – a damn catchy component that almost sounds even better on the instrumental! 12-inch, Vinyl record
Early 80s slap bass funk – of the sort that was showing up on the Liberty label at the time, and which here comes across pretty well. The best cut is "Love Is On The One", which has a catchy sing-song groove, and a very nice hook. Both tracks from the Point of Pleasure LP. 12-inch, Vinyl record