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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Smoking work from Donald Byrd – post-Blue Note, post-Larry Mizell, and with a modern funk groove that's still pretty darn tasty! Not one to rest on his laurels – which he could have easily done with endless Mizell-based recordings – Donald shifts his groove here towards more of a ... LP, Vinyl record album
80s release of some rare sessions cut at Tristano's private Manhattan studio in the mid 50s, featuring spare trio tracks with Peter Ind on bass and Tom Weyburn on drums. The album is an essential chapter in Tristano's under-recorded career, and the tracks are a delight all the way through. Titles ... LP, Vinyl record album
A post-Blue Note effort, and Donald's changing things up a bit with his 125th Street Orchestra and Uptown Singers – funking along in a way you'd expect from the longwinded title! Byrd loostens up the smoother backgrounds of his recent Larry Mizell helmed work, and in their place are grooves ... LP, Vinyl record album
An album that's quite different than Michael White's early solo work, but also quite nice too – although in a completely different way! On this set, White's working with jazz funk legend Wayne Henderson – crafting a smooth approach to the groove that's very much in keeping with the ... LP, Vinyl record album
A serious later session from Don Sebesky – one that shows that he's still capable of plenty of darkness in his music, even after scoring some smoother sets in the 70s! The album's definitely got something of a "jazz orchestra" feel – with a full orchestra that initiates the ... LP, Vinyl record album
A simple formula, but one of Shirley's best records from the mid 60s, and a tight batch of quartet tracks that also features Stanley Turrentine on tenor. The title cut's a classic jazz stepper in Chicago, with a subtly loping groove that works pretty darn well. Other tracks include "Blue ... LP, Vinyl record album
The group's second album – a nicely laidback album of soul and jazz tracks, produced by Grover Washington Jr with that clean and perfect sound he was getting on his own albums at the time. Includes the group's classic slammer "Mt Airy Groove" – a great old school hip hop ... LP, Vinyl record album
An unusual record for Randy Weston – a freewheeling live set recorded at Montreux in 1974, with Billy Harper joining Weston's group on tenor and flute, playing long spiritual solos that work wonderfully next to Weston's spiralling piano lines! Harper's searching quality really opens up the ... LP, Vinyl record album
A masterful fusion set from guitarist Lee Ritenour – one that expands his sound a bit more than usual by adding in vocals on a number of tracks – but in a way that really gets at the mainstream soul influences that bubble through his jazz work! The set features key vocal appearances ... LP, Vinyl record album
A tight set of fusion from Sweetbottom – an American combo who definitely seem to draw a lot from the rock-inspired Euro fusion sound of a few years before! There's also a bit of the PM Records vibe – from the Steve Grossman/Gene Perla camp – lots of sharp, fast changes in the ... LP, Vinyl record album