An early 70s classic from The Crusaders – and a record that has the group perfectly poised between the rougher soul jazz of their roots and some of the tighter styles they brought into play during the 70s! The sound here is heavily electric – thanks to great keyboards from Joe Sample and bass from Wilton Felder – but the style isn't nearly as slick as on later albums recorded under the Crusaders name, thanks to the hipper, looser feel the group were allowed while working for the Chisa label! As on the first album recorded after the group shifted their name from the Jazz Crusaders, the set features added guitar work by Larry Carlton, David T Walker, and Arthur Adams – all of whom really help to emphasize the funkier side of the tracks while Wayne Henderson's trombone and Wilton Felder's tenor remind us they've still got a great talent for jazz! Titles include "Search For Soul", "Gotta Get It On", "Look Beyond That Hill", "Ain't Gon Change A Thing", and "A Message From The Inner City". (Cover has a cut corner and a touch of marker in one corner.) © 1996-2015, Dusty Groove, Inc.
We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.
Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, please note that all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.
The following grading conditions apply to the vinyl component of an album or single:
If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.