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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Nice one! This is Ken Nordine's follow-up to his highly successful Word Jazz album, and it's another crazy batch of jazz-meets-beat poetry-meets-goofy stuff. Ken Nordine's wit is razor sharp as usual, and the tracks include "The Bullfighter", "Junk Man", "Looking At ... LP, Vinyl record album
Ken Nordine's first album of goofy jazzy stuff, recorded with the groovy Fred Katz group, and featuring such gems as "The Sound Museum", "Flibberty Jib", and "Hunger Is From". Sampled by United Future Organisation and a whole bunch of others. This is probably his best ... LP, Vinyl record album
A pretty cool record – even if it is mostly a "hi fi" sampler from RCA. The record demonstrates the full range of RCA's Living Stereo method – and it's got Ken Nordine narrating his way through a host of tracks from the label. As is typical with this sort of thing, about ... LP, Vinyl record album