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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A very different album than usual for June Christy – one of her last for Capitol, and a very swinging, upbeat affair! As the title implies, June's singing a set of tunes made famous during the glory days of the big bands – tracks associated with Duke Ellington, Tommy Dorsey, Artie Shaw ... LP, Vinyl record album
A later Capitol gem by June – where she reprisies a number of classics from her early years with Stan Kenton – new versions of late 40s tunes, done here with Pete Rugolo arrangements that go a good way towards showing how both he and June had grown during the 50s. Titles include "H ... LP, Vinyl record album
June's got rhythm, sure, but the real thing that makes her great is her dark and moody sense of melody! This album's one of June's late 50s efforts done with husband/arranger Bob Cooper – not as arch modern as some of her work with Pete Rugolo, but still in a style that's definitely inspired ... LP, Vinyl record album
One of June's all-time classics – and perhaps her most famous album, next to the sublime Something Cool. The set, like that one, was arranged and conducted by Pete Rugolo – whose icy and modern touches are the perfect foil for June's sad and dark voice. Familiar tunes are completely ... LP, Vinyl record album
That's "gone" – as in the way June Christy really sends us – vocals that take us to a place that few other 50s singers could ever hope to reach! June's work here is a masterpiece of melancholic understatement – far less overblown than some of her pop contemporaries, but ... LP, Vinyl record album
One of June's greatest records, next to her impossible to beat Something Cool! Like that set, this one features dark arrangements by Pete Rugolo, working very hard here to win the "off beat" tag of the title. June's perfectly matched for this sort of setting, and her detachedly sad ... LP, Vinyl record album
From its booze-soaked title cut, to its haunting selection of lonely ballads like "Midnight Sun" and "Stranger Called The Blues", this is one of the most fantastic vocal jazz albums of all time – and a record that we'd recommend instantly to anyone! June Christy has an ... LP, Vinyl record album
One of Peggy Lee's jazziest albums, thanks to some pretty darn smart arrangements by a young Quincy Jones! Quincy takes Peggy's great vocal style and gives it a nice extra umph, in the way that he did on similar vocal sessions from the same time (like Sinatra's famous "Fly Me to the Moon" ... LP, Vinyl record album
Brilliant harmony vocals by the Four Freshman – an album with a title that perfectly sums up the Four Freshman contribution to 50s jazz, and their sublime way of re-casting vocals in their work! Most of the numbers on the set are familiar ones, but they're redone by the group with a ... LP, Vinyl record album
A nicely mellow album from this female harmony group – almost the gals answer to the sound of the Four Freshmen on Capitol! The set is laidback, with some larger backings by Alvino Ray that have a great round tone that fleshes out the sound nicely. LP, Vinyl record album