This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
An unusual bit of later work on Fantasy – done in a playful style that you might guess from the title – slightly funky, but with some spacier touches that point a bit more towards crossover 80s club. 12-inch, Vinyl record
Is It All Over My Face is one of the strangest club tracks from the West End years – but a great one! The cut's an obvious reference to some of the more sensual practices of the club scene, and it's got a nice dark sound to it that's a good example of the way that late disco, early house, ... 12-inch, Vinyl record
Webster Lewis is working with Michael on both of these tracks – giving the grooves a slightly jazzy bounce that's similar to Lewis' own club work for Columbia! "Still Got The Magic" is a thumping midtempo number that's heavy on the bottom, but soars a bit on the top with Wycoff's ... 12-inch, Vinyl record
One of Larry Levan's biggest crossover moments – as "Don't Make Me Wait" has the Peech Boys breaking out of the Paradise Garage underground, into the mainstream of soul in the early 80s. Not much in the vocal department, but a catchy hook nonetheless, and with plenty of bubbly bass ... 12-inch, Vinyl record
Soulful 80s club tracks from Boyd Jarvis and Timmy Regisford, with a nice 80s groove sound built around a fat bouncing synth bass line. 12-inch, Vinyl record