Vinyl may be dirty, and can lack a fair amount of luster.
Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
This is the kind of record that you'd buy to play,
but not because it looked that great. Still, the flaws should be mostly cosmetic,
with nothing too deep that would ruin the overall record.
Examples include a record that has been kept for a while in a
cover without the paper sleeve, or heavily played by a previous owner
and has some marks across the surface. The record should play okay,
though probably with surface noise.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Prime late 60s Cannon! "Why" is a great cut – a tune that's almost as catchy as "Mercy Mercy Mercy", but a lot lot better. Dark, slightly funky, and with an obvious political masses that was not lost on the ears of civil rights-era fans! "I'm On My Way" has a ... 7-inch, Vinyl record
Very nice! "Memory Lane" is one of Minnie's last tracks ever – and it's got a super hook, really nice production, and vocals that always send us over the edge. Minnie's in perfect form here, and the track's a great blending of the floating style of her early recordings with the ... 7-inch, Vinyl record
Always-great work from Minnie! "Lover & Friend" begins with a spare piano note, stops, moves again, then the whole band swings into the mix in a nice jazzy feel – Minnie stepping up to the plate with a warm vocal and a nice bounce to her sound. "Return To Forever" is ... 7-inch, Vinyl record
In the immediate post-war years, the Dutch jazz scene was one of the first to emerge with a sophisticated understanding of the American jazz form. Rita Reys was one of the country's leading talents in this respect, and she had a wonderfully cool vocal style that was similar to American singers ... 7-inch, Vinyl record
From one of Tito's best sets for RCA! The record was cut with a host of excellent jazz players – like Gene Quill, Jimmy Cobb, Eddie Bert, and Barry Galbraith – and the style's a mix of Latin grooves with that tight ensemble jazz style that RCA was forging so well during the mid 50s. ... 7-inch, Vinyl record
One of the best of Decca's Jazz Studio series of recording – a tight set of chamber jazz tracks headed by John Graas, and featuring a strong assortment of players that includes Charlie Mariano, Zoot Sims, Larry Bunker, Gerry Mulligan, Howard Roberts, and Conte Candoli. Tracks get a little ... 7-inch, Vinyl record