Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Transatlantic Bridge

CD (Item 41550) Okka Disk, 2000 — Condition: New Copy
Out Of Stock

CD

✈
❔

The fantastic first record from Chicago's Territory Band – a project headed up by saxophonist Ken Vandermark, and one that definitely builds the Transatlantic Bridge that's promised by the title! During the second half of the 90s, the Chicago avant scene really exploded with some great younger players – and also drew a lot of guests from other global scenes too – creating a lively cross-breeding of sounds, styles, and ideas – all of which are represented strongly by this group! The lineup features Jim Baker on piano, Jeb Bishop on trombone, Axel Dorner on trumpet, Dave Rempis on alto and tenor, Kent Kessler on bass, Fred Lonberg-Holm on cello, and both Paul Lytton and Tim Mulvenna play drums – which makes for a super heavy sense of energy throughout. Vandermark blows tenor, bass clarinet, and b flat clarinet – on titles that include "Collage (for Kurt Schwitters)", "RM (for Marcel Duchamp)", "Mobile (for Alexander Calder)", and "Stabile (for Hans Hoffmann)".  © 1996-2019, Dusty Groove, Inc.

We realize that there are many different interpretations of the standard grades used for pre-owned vinyl record albums & CD, so we thought we'd offer you the ones that we are working with, so you have an idea what we mean when we give the grade for a non-new item on our pages.

Used Vinyl Grades

Below are stated conditions for a used vinyl records at Dusty Groove. Grading for the cover should be assumed to be near (within a "+" or "-") the grading for the vinyl. If there is significant divergence from the condition of the vinyl, or specific flaws, these will be noted in the comments section of the item. However, please be aware that since the emphasis of this site is towards the music listener, our main concern is with the vinyl of any used item we sell. Additionally, all of our records are graded visually; considering the volume of used vinyl we handle, it is impossible for us to listen to each record. If we spot any significant flaws, we make every attempt to listen through them and note how they play.

The following grading conditions apply to the vinyl component of an album or single:

Sealed

This is what it says, that the record is still held fast in shrink-wrap. We tend to be pretty suspicious about these things, so if the shrink-wrap doesn't look original, or if the record seems to have undergone some damage over time, we'll probably take it out of the wrapper to ensure that it's in good shape — which is why we don't have more of these. In some cases the shrink-wrap may be torn in spots, but if it's not possible the record has been taken out and played, the record will still qualify as "Sealed".

Near Mint

Dusty Groove does not use the grades of Near Mint (or Mint, for that matter) because in our experience, we find that no records ever qualify for such a high grade. Even sealed records tend to have one or two slight faults, enough to usually qualify them for a grade of NM- or lower. We've often found that records which are clearly unplayed will have a slight amount of surface noise, especially in quieter recordings.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Very Good

  • Vinyl can have some dirt, but nothing major.
  • May not shine under light, but should still be pretty clean, and not too dirty.
  • May have a number of marks (5 to 10 at most), and obvious signs of play, but never a big cluster of them, or any major mark that would be very deep. Most marks should still not click under a fingernail.
  • May not look near perfect, but should play fairly well, with slight surface noise, and the occasional click in part of a song, but never throughout a whole song or more.
  • This is clearly a copy that was played by someone a number of times, but which could also be a good "play copy" for someone new.

Very Good - (minus)

  • Vinyl may be dirty, and can lack a fair amount of luster.
  • Vinyl can have a number of marks, either in clusters or smaller amounts, but deeper.
  • This is the kind of record that you'd buy to play, but not because it looked that great. Still, the flaws should be mostly cosmetic, with nothing too deep that would ruin the overall record.
  • Examples include a record that has been kept for a while in a cover without the paper sleeve, or heavily played by a previous owner and has some marks across the surface. The record should play okay, though probably with surface noise.

Good + (plus)

  • Vinyl may be dirty, or have one outstanding flaw, such as a light residue, which could be difficult to clean.
  • May have marks on all parts, too many to qualify as Very Good-, or several deeper marks, but the record should still be ok for play without skips.
  • In general, this is a record that was played a fair amount, and handled without care. A typical example may be a record which has been heavily played by a DJ, and carries marks from slip cueing. Depending on the quality of the vinyl, may play with surface noise throughout.

Good

  • A record that you'd buy to play, cheap, but which you wouldn't buy for collecting.
  • Will have marks across all parts of the playing surface, and will most likely play with surface noise throughout. May have some other significant flaws, such as residue, or a track that skips.
  • In most cases, a poor quality copy of a very difficult to find record.

Fair

This is a grade we rarely use, as we try not to sell records in very bad condition, though in some rare cases we will list a record in such bad shape that it does not conform to the standards above. A "Fair" record will have enough marks or significant flaws that it does not even qualify as "Good", but is a copy you might consider for playing, if you're willing to put up with noise and/or flaws. An example might be a recording with surface noise so heavy that it is equal to the volume of the music. For records listed as "Fair", we will describe the extent of the condition in the comments.

Poor

Like "Fair", we rarely list records in this condition, as they represent the extreme low end of spectrum. These records typically have multiple serious problems, and we offer them as "relics" or "objects" only — for those who want to at least have a copy of a record, even if it is not really worthy of play, perhaps for the cover alone. For these records, we will describe the extent of the condition in the comments.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.


Used CD Grade

We have only one grade for non-new CDs at Dusty Groove — "Used CD". This grade is somewhat all-encompassing, but we choose it because we try to offer Used CDs in the best shape possible.

When you purchase a Used CD you can expect the disc to be free of all but the lightest of surface marks, the case to be clean (we often change the cases ourselves), and the booklet to be in good shape. Used CDs may show some signs of use but if there are significant details or defects we will list them underneath the item — just like we do with LPs — so look there for notes on cutout marks, stickers, promo stamps or other details.

All of our Used CDs are guaranteed to play without skipping or flaws. If you purchase a Used CD from Dusty Groove, you have 1 week to play it to determine that it plays correctly — and if it does not, then you may return it for a full refund.


You might be interested


Margots

Pescado
Okka Disk, 2013. New Copy Gatefold
A really unique blend of jazz and vocals – and a great start for this really unique group! The Margots is a collaboration between vocalist Adrienne Pierluissi and jazz musician Ken Vandermark – who co-wrote the music on the set, and handles all the arrangements too! Pierluissi hails ... CD

Charles Tyler

Saga Of The Outlaws
Nessa, 1978. New Copy
A tremendous 70s album from Charles Tyler – one recorded with a rich, raw tone that's simply mindblowing! Tyler here has all of the deep soul we first came to love during his ESP years, but also a sound that's a bit more focused too – one that's extremely powerful, and boldly righteous ... CD

Jim Baker/Steve Hunt/Brian Sandstrom/Mars Williams

Extraordinary Popular Delusions
Okka Disk, 2007. New Copy
CD...$9.99 13.99
An electric improvised set from Chicago – one that features piano, electric piano, and synthesizer by Jim Baker – plus bass and guitar from Brian Sandstrom, drums and percussion from Steve Hunt, and a variety of saxophones from Mars Williams! The album's somewhat unassuming at points ... CD

Territory Band (Ken Vandermark)

Territory Band 2 – Atlas
Okka Disk, 2002. New Copy
CD...$9.99 13.99
A very unusual work from the Territory Band – one of the more avant-oriented projects of Chicago's sax powerhouse Ken Vandermark. The group's much more spatially and compositionally oriented than any of Ken's other projects, and the feel of the set is in an ambitious mode – almost like ... CD

Aaly/DKV Double Trio

Double Or Nothing
Okka Disk, 2002. New Copy
CD...$9.99 13.99
Two important improvising trios come together head to head in the transatlantic brilliance of Okka Disk Records in the 90s – recorded in a very unusual way that lets you clearly hear all the contributions of the members of the group! In the left channel stands AALY – a searing lineup ... CD

Steelwool Trio

International Front
Okka Disk, 1995. New Copy
CD...$9.99 13.99
A classic from the early days of Chicago avant powerhouse Okka Disk – a killer set that really shows the young Ken Vandermark at his best – as he takes off wonderfully here on a selection of reeds, alongside the mighty bassist Kent Kessler and drummer Curt Newton! The group didn't have ... CD

FME (Ken Vandermark)

Underground
Okka Disk, 2004. New Copy
CD...$9.99 13.99
A bold statement from the Free Music Ensemble – not a large group, but instead a searing power trio that features Ken Vandermark on reeds, Nate McBride on bass, and Paal Nilssen-Love on drums! The group work in a full-on mode that recalls the early power of the FMP scene, or some of the most ... CD

Territory Band (Ken Vandermark)

Territory Band 3 – Map Theory
Okka Disk, 2004. New Copy 2CDs
The most ambitious work to date from Ken Vandermark's Territory Band – a larger-than-usual ensemble that ranks with some of the great improvising orchestras of the 70s – like the London Jazz Composers Orchestra or the Globe Unity group! For the project, Vandermark pulled together a ... CD

Loos/Armstrong

Loos/Armstrong
Okka Disk, 1999. New Copy
That's Loos/Armstrong, not Louis Armstrong – a late 90s Dutch group who improvise freely on both electric and acoustic elements – with a style that makes the record one of the most offbeat albums ever released on the Okka Disk label! In some ways, the combo almost tie together Dutch ... CD

Peter Brotzmann Chicago Tentet

American Landscape 1
Okka Disk, 2006. New Copy
CD...$9.99 13.99
Peter Brotzmann's on clarinet this time around, and working here in an extended studio piece with his Chicago Tentet combo – one of his greatest groups of later years, featuring both Mats Gustafsson and Ken Vandermark on reeds, as well as Joe McPhee on both trumpet and alto sax! The work ... CD

Peter Brotzmann Chicago Tentet

American Landscape 2
Okka Disk, 2006. New Copy
CD...$9.99 13.99
Peter Brotzmann's on clarinet this time around, and working here in an extended studio piece with his Chicago Tentet combo – one of his greatest groups of later years, featuring both Mats Gustafsson and Ken Vandermark on reeds, as well as Joe McPhee on both trumpet and alto sax! The work ... CD

William Hooker

Symphonie Of Flowers
ORG, 2019. New Copy
A great album as a leader from the legendary William Hooker – and a fantastic reminder of how wonderful he can be in the spotlight! The set begins with some solo drum work from Hooker, then moves into bolder improvisations with an unnamed saxophonist and pianist (odd that the label didn't ... CD
 



⇑ Top