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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A surprisingly great set from The Four Tops – hardly the throwaway effort you might expect from some of the other Casablanca projects of the time – and instead a really solid effort that follows strongly from the sound of the group's best moments during their ABC Records years! The ... LP, Vinyl record album
Why did Motown ever let the Four Tops get away? This album was their last for the label – and it's an excellent one, filled with soul, sweetness, and some of the best arrangements the group had in their later years! The soul component is super-high – with tight group instrumentation ... LP, Vinyl record album
Killer Four Tops material from the early 70s – and a record that proved that they didn't need to be on Motown to still keep churnin' out the hits! The sound is sophisticated, and pushes past the standard format of the group's good-selling records for Motown – hitting a classic AM Radio ... LP, Vinyl record album
A mix of pop and soul – but in the hands of the Four Tops, just about any song takes on a new soulful life! The record features their minor hit "Yesterday's Dreams" – plus groovy versions of "Sunny", "Never My Love", "Daydream Believer", and ... LP, Vinyl record album
Excellent mid 70s work from Smokey, recorded right before his landmark Quiet Storm album, and in a smooth sophisticated style that showed that he was definitely on the right track after splitting from the Miracles! The sound here is totally great – a new level of sophistication for Robinson, ... LP, Vinyl record album
Classic early Temptations – a wonderful little record produced by Smokey Robinson with a sweet group finish! The harmonies are impeccable, and the sound is perfect Motown – tight and classy, but with enough rough edges to keep things soulful at the best parts – and there's a ... LP, Vinyl record album
Tracks include "Nobody But You" by the Temptations, "Take Me Where You Go" by Diana Ross & The Supremes, "Cry" by the Monitors, "Sweeter As The Days Go By" by Marvin Gaye, "I Should Have Known Better" by the Marvelettes, "What Could A Boy ... LP, Vinyl record album
Lots of great ones – from that period when Smokey was making the group an all-male one, with a harmony sound that was a bit harder than earlier days. Titles include "Going To A Go Go", "Tracks Of My Tears", "Ooo Baby Baby", "I Second That Emotion", ... LP, Vinyl record album
The album's got a slightly grittier image than most of the other 60s records by The Supremes – perfect for the title track, and its slight message of social commentary! The trio weren't heading into the same sort of territory as The Temptations or some of the other Norman Whitfield projects ... LP, Vinyl record album
A record so big they dropped the "Ross" from Diana's name – just to show how large the lady was living at the end of the 70s! The album was a key set in the solo years of Diana's career – a back to basics dancefloor effort done with impeccable production by Bernard Edwards ... LP, Vinyl record album