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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A classic session for MPS, one of the few labels smart enough to ever make bassist Richard Davis a leader on a session! The set is arguably his best record as a leader, and it features a great group, playing in a number of different configurations. Players include Freddie Hubbard, Roland Hanna, ... LP, Vinyl record album
Very nice electric Latin jazz session from this legendary LA piano player. Clare plays organ and electric piano, and the group also features Poncho Sanchez on congas. The band has a wonderful warm mellow groove, and the record is one of Fischer's best from the time! Includes a great version of ... LP, Vinyl record album
One of the first albums cut by the fab Singers Unlimited – and the set that has them backed by the Oscar Peterson Trio! The Singers always mixed well with guest jazz talents – and the style of this albums gives their sweet harmonies a nice jazz-based groove and not too much cheese on ... LP, Vinyl record album
The piano of Oscar Peterson meets the vibes of Milt Jackson – and the result is a wonderfully groovy set! We can't remember when the 2 players had worked together before in order to have such "reunion" – but they work together beautifully on this session, with Jackson's vibes ... LP, Vinyl record album
One of the best Rolf Kuhn sessions we can think of – and a classic MPS album that mixes spiritual avant garde jazz with unusual rhythmic progressions and world percussion. Rolf's group here features Phil Woods guesting on alto, a great companion for Rolf's fluid clarinet lines, which sound ... LP, Vinyl record album
The second, and lesser-known collaboration between reedman John Handy and sarod player Ali Akbar Khan – and a record that's almost more freewheeling and open-ended than the first! The session's relatively spare – mostly just alto sax, sarod, and violin from L Subramaniam – plus ... LP, Vinyl record album
Funky and Latiny! Although we don't normally dig records by George Shearing, this cool 1974 session for MPS is a nice groover with a good 70's sound that adds a lot of tight rhythm to Shearing's often-sleepy playing – coming up with a whole new sound that has some really wonderful moments! ... LP, Vinyl record album
Amazing stuff from Ivan Boogaloo Joe Jones! Unlike some of the other players on Prestige during the early 70s – who often got a bit weaker as the decade moved on, thanks to the departure of some of the better forces arranging and producing the records – Jones kept on playing hard, ... LP, Vinyl record album
An obscure session that Chet recorded in the mid 60's with a rhythm section from Detroit that includes the Kirk Lightsey, Herman Wright, and Roy Brooks – and that features some firey playing by George Coleman on tenor. Tracks include "Rearin' Back", "Grade A Gravy", and ... LP, Vinyl record album