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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Cole Porter's tunes are great enough on their own, but Oscar really opens them up on this set – picking up the inherent rhythms in the numbers and really working them over – in a way that makes the outing one of the most lively in Peterson's songbook series for Verve! Oscar's fluid ... LP, Vinyl record album
A landmark record – both in 60s jazz and bossa nova – and a set that not only bridged worlds of music, but set the tone for so many other albums to come! By the time of this 1964 set, Stan Getz had already issued a few bossa nova experiments on Verve – but this pairing with ... LP, Vinyl record album
The title's a bit misleading, but the record's a great one! Oddly, the album's not a follow up to the West Coast Jazz album by Stan Getz – firstly, because it wasn't actually done on the west coast, and secondly, because this one was actually recorded two years before! But that doesn't stop ... LP, Vinyl record album
Not the blues album you might guess from the title, but a great entry into the JATP-style jam session recordings of Verve! The material here is from an earlier age, packaged in a slightly righteous 60s cover – and players include Charlie Parker, Johnny Hodges, and Benny Arter on alto sax; ... LP, Vinyl record album
A sweet little large group session from Gerry – a bit harder swinging than some of his mid 50s small group work, but still with that mellifluous glide that's the trademark Mulligan sound! Arrangements are by some great talents – including Al Cohn, Johnny Mandel, and Bob Brookmeyer, who ... LP, Vinyl record album
An oft-overlooked 70s gem from Jimmy! The album's got a smooth complicated sound – with very long tracks that open up, stretch out, and groove in a much more sophisticated way than some of Jimmy's 60s work for Verve. The approach is almost similar to Jack McDuff's complicated Blue Note ... LP, Vinyl record album
Count Basie and Quincy Jones were always a mighty mighty combination – and there's no finer proof of that fact than this sweet little set! Quincy had a way of swinging Basie's group even more than Neal Hefti did – really letting the piano step out front, and swinging the larger horn ... LP, Vinyl record album
Hard swinging orchestral session that's basically an Oliver Nelson project – and it's one of his best, we might add! The "Jazzhattan Suite" is a suite of tracks written as a tribute to New York. Titles of passages include "The East Side/The West Side", "125th & ... LP, Vinyl record album
A very unusual set – as Chet Baker plays with larger arrangements from Jerry Styner, which include work from members of the wrecking crew! Includes his sublime version of "Come Saturday Morning". LP, Vinyl record album
A classic from Wes Montgomery – and exactly the kind of record that made him a legend in the 60s! The set's one of Wes' collaborations with arranger Claus Ogerman – a key talent who was really on the rise at the time, and who understood how to perfectly balance Montgomery's unique ... LP, Vinyl record album