Velvet Underground : Velvet Underground (3rd LP) (LP, Vinyl record album) -- Dusty Groove is Chicago's Online Record Store
Skip navigation
Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Velvet Underground (3rd LP)

LP (Item 411870) MGM, 1969 — Condition: Very Good+
Just Sold Out!

LP, Vinyl record album

❔
The incredible third album from The Velvet Underground – and maybe our favorite of all their albums together – even though this one is far less weird or experimental than the rest! After their initial foray with Nico, and their bombastic sonic experiments on White Light/White Heat, the VU hit this wonderfully subtle territory here – these really personal, moody songs that still have all the knowledge of the wilder sounds of previous records, but which take those farther reaches and bring them back to more focused songwriting – with results that are completely sublime! There's no side-long jams, nor any fuzzy freakouts – but instead, the album's filled with these wonderful songs that really show Lou Reed really honing his craft – able to touch on all the seamy edges of late 60s counterculture, without ever having to hit you over the head – and likewise, the band's instrumentation has this way of using all their wider knowledge of noise and sound in these really refined ways – at a level that opened the door for so many other generations to come. The result is a masterpiece all the way through – and every track is a landmark of dark genius – on titles that include "Pale Blue Eyes", "After Hours", "I'm Set Free", "That's The Story Of My Life", "Candy Says", "What Goes On", and "Jesus".  © 1996-2024, Dusty Groove, Inc.
(Mid 80s Polygram pressing with in a barcode cover. Includes the printed inner sleeve. Cover has ring wear.)

Very Good + (plus)

  • Vinyl should be very clean, but can have less luster than near mint.
  • Should still shine under a light, but one or two marks may show up when tilted.
  • Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
  • This is the kind of record that will play "near mint", but which will have some signs of use (although not major ones).
  • May have slight surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


Velvet Underground

Live 1969
Mercury, 1969. Near Mint- 2LP Gatefold
The mid 70s double LP release of the Velvets live – just past the uber prime point, in 1969 after Doug Yule had steeped in for the departed John Cale! Includes very solid live versions of benchmark numbers, with the VU sounding remarkably sharp on stage on the classics and more. Includes ... LP, Vinyl record album

Velvet Underground

Live At Max's Kansas City
Cotillion, 1970/1972. Very Good+
This 1970 live recording arrived at the end of the line for the true Velvet Underground – before latter-day bassist Doug Yule took over the name for a short and (thankfully) long-forgotten stint, in a performance that became known as the group's last live set! Maureen Tucker and John Cale ... LP, Vinyl record album

Velvet Underground

White Light/White Heat
Verve, 1968. Near Mint-
One of the most far-out, freaked-out albums ever from the Velvet Underground – easily the most experimental set the group ever recorded! The album's awash in really unusual sounds and styles – from the sonic blast of the title cut "White Light/White Heat", to the 17 minute ... LP, Vinyl record album

Chrysalis

Definition
MGM, 1968. Very Good+ Gatefold
The one-and-only album by upstate New York's wonderfully trippy psych-folk Chrysalis – a buried rock treasure from 1968. Definition is a strange title for the record, as the group refuses to be bound to any one – mixing laidback, trippy psychedelia, oddball folk, and meandering strains ... LP, Vinyl record album

Danyel Gerard

Danyel Gerard
Verve/MGM, 1972. Very Good Gatefold
A weird bit of folk funk rock – and a totally cool record on early 70s Verve! The album was recorded during the Mike Curb years at MGM – and has a similar pop crossover, adult hip kind of sound to some of Curb's other big success stories. The sound's an unusual blend of folk and ... LP, Vinyl record album

Sam The Sham & The Pharaohs

Best Of Sam The Sham & The Pharaohs
MGM, 1960s. Near Mint- Gatefold
(Mono black label pressing. Cover has a cutout hole and and is bent down and torn a bit at the top seam.) LP, Vinyl record album
MGM (Japan), 1975. Near Mint-
(Japanese pressing – MM 2067. Includes obi & insert.) LP, Vinyl record album

Cyril Havermans

Cyril
MGM, 1973. Very Good+ Gatefold
(Cover has a small split on the top seam and light wear.) LP, Vinyl record album

A B Skhy

Ramblin' On
MGM, 1970. Very Good
A lost hard rock gem from a Milwaukee quartet – produced by Kim Fowley with a sound that's as raw and garagey as his best indie productions from the mid 60s! These guys have all sorts of familiar elements in the mix – an influence from blues, a trippier style of guitar, and some nicely ... LP, Vinyl record album

Orpheus

Joyful
MGM, 1969. Near Mint-
Produced and arranged by Alan Lorber – who brings in some nice trippy touches! LP, Vinyl record album

Guess Who

Guess Who
MGM, 1969. Near Mint-
(Cover has light wear.) LP, Vinyl record album

Sam The Sham & The Pharaohs

On Tour
MGM, 1965. Sealed
(Stereo pressing, still sealed with a cut corner and some sticker remnants.) LP, Vinyl record album
 



⇑ Top