Scripting is disabled or not working. dustygroove.com requires JavaScript to function correctly.
Style sheets are disabled or not working. dustygroove.com requires style sheets to function correctly.
CD, LP, Vinyl record album cover art
Enlarge       Note

Alabama/Africa (Alabama Concerto/African Waltz)

LP (Item 411447) Riverside, 1958 — Condition: Near Mint-
2LP Gatefold

2 fantastic albums, not really in the same bag, but combined for reissue that still works nicely as a set. The first LP, John Benson Brooks' Alabama Concerto was groundbreaking work – not only for Cannonball, but for the jazz concerto format, used to strong effect here in this extended modernist composition. The album's based on a number of historical and mythical southern themes – which keeps it from swinging hard all the way through, the work of Adderley and Art Farmer on the solo sections really opens up the piece and gives it a deep sense of soul. Other players include Barry Galbraith on guitar, Milt Hinton on bass, and Brooks on drums – and themes include "The Loop", "Trampin", "Little John Shoes", "Milord's Calling", and "Rufus Playboy". African Waltz changes up the format entirely, with Adderley's alto fronting a large group conducted by Ernie Wilkins, and featuring a host of hip players like Melba Liston, Oliver Nelson, Jerome Richardson, Ray Barretto, Sam Jones, and Wynton Kelly. The title track is a beautiful reading of Galt MacDermott's "African Waltz" – and other tracks include "Blue Brass Groove", "Something Different", "The Uptown", and "Letter From Home". Wilkins outdoes himself on this one, really providing some strong swinging arrangements that work well with the complicated groove of the project – and in a way, the record feels more like Randy Weston or Melba Liston's at the helm.  © 1996-2020, Dusty Groove, Inc.

Near Mint - (minus)

  • Black vinyl that may show a slight amount of dust or dirt.
  • Should still be very shiny under a light, even with slight amount of dust on surface.
  • One or two small marks that would make an otherwise near perfect record slightly less so. These marks cannot be too deep, and should only be surface marks that won't affect play, but might detract from the looks.
  • May have some flaws and discoloration in the vinyl, but only those that would be intrinsic to the pressing. These should disappear when the record is tilted under the light, and will only show up when looking straight at the record. (Buddah and ABC pressings from the 70's are a good example of this.)
  • May have some slight marks from aging of the paper sleeve on the vinyl.
  • Possible minor surface noise when played.

Additional Marks & Notes

If something is noteworthy, we try to note it in the comments — especially if it is an oddity that is the only wrong thing about the record. This might include, but isn't limited to, warped records, tracks that skip, cover damage or wear as noted above, or strictly cosmetic flaws.



You might be interested


EmArcy, 1955. Very Good+
An early album that features Adderley's beautifully edgey alto sliding nicely through a set of standards conducted by Richard Hayman. The album's not as strikingly emotive as other Verve "with strings"outings – such as the Charlie Parker & Strings sessions – but it is a ... LP, Vinyl record album
Mercury, 1959. Very Good-
A great session from 1959 – one that features John Coltrane playing with the Adderley group, recorded in Chicago when they were stopping through the city with Miles Davis' combo at the time! In fact, since the rhythm section includes Wynton Kelly, Paul Chambers, and Jimmy Cobb – and ... LP, Vinyl record album

Cannonball Adderley

Portrait Of Cannonball
Riverside, 1958. Very Good-
A jazzy portrait of Cannonball Adderley in his early soul jazz prime – oddly one that doesn't feature his regular quintet lineup, but which more than makes up for that lack with a batch of players that includes Blue Mitchell on trumpet, Bill Evans on piano, Sam Jones on bass, and Philly Joe ... LP, Vinyl record album

Cannonball Adderley

Cannonball Enroute
Mercury, Late 50s. Very Good
Cannonball Adderley's enroute to a great jazz legacy here – stepping out in a groove that begins to show some of the soul jazz modes he was forging at the end of the 50s – a great change from the straighter bop styles of his early years! The lineup here is a wonderful early expression ... LP, Vinyl record album

Cannonball Adderley

Why Am I Treated So Bad?
Capitol, Late 60s. Very Good+
If you ever needed a key example of the genius of Cannonball on Capitol Records, this tight little set may well be it! The record's got all the best elements of a Cannon classic firmly in place – production by David Axelrod, electric piano by Joe Zawinul, and some tremendously soulful work ... LP, Vinyl record album

Cannonball Adderley

Lush Side Of Cannonball
EmArcy, Late 50s. Very Good
A wonderfully mellow set of ballads recorded by Cannonball, with orchestral backings by Richard Hayman. The album's typical of the kind of "all over the map" approach that Mercury used during Cannon's early years – before he'd settled down into the one-man soul jazz factory he ... LP, Vinyl record album
Riverside, 1959. Very Good
One of the greatest Cannonball Adderley albums from the Riverside years – a completely smoking live date recorded in San Francisco, often with long tracks that really let the group open up and do their thing! The lineup here is that classic one that first grabbed attention – the group ... LP, Vinyl record album

Cannonball Adderley

Soul Zodiac
Capitol, 1972. Very Good 2LP Gatefold
One of the coolest, baddest, funkiest albums Cannonball Adderley ever recorded – a massive suite of tunes based on the signs of the Zodiac, produced to perfection by David Axelrod, and featuring some hip recitations from the mighty Rick Holmes! The double-length set is completely compelling ... LP, Vinyl record album

Cannonball Adderley

Big Man
Fantasy, 1975. Near Mint- 2LP Gatefold
One of the last albums ever issued by the great Cannonball Adderley – and one of the most ambitious, too! The set's a concept album – done in close collaboration with David Axelrod, in a similar spirit to some of Cannon's projects on the zodiac or the bible – but this time turned ... LP, Vinyl record album

Cannonball Adderley

Inside Straight
Fantasy, 1973. Near Mint- Gatefold
One of Cannonball Adderley's late funky sessions for Fantasy – and a record that still features some mighty heavy production from David Axelrod! The album's got that core groove that Axe and Cannon first crafted together at Capitol in the 60s – but the sound here has some definite 70s ... LP, Vinyl record album

Randy Weston

Jazz A La Bohemia
Riverside, 1956. Very Good+
Key early work from the great Randy Weston – a live performance from Cafe Bohemia, featuring an unusual group that includes Ahmed Abdul-Malik on bass and Cecil Payne on baritone sax! The presence of Payne makes the record more than just an angular piano trio outing, and allows Weston to ... LP, Vinyl record album
Riverside, 1959. Sealed
With Herbie Mann on flute and tenor, Zoot Sims on alto and tenor, Pepper Adams on baritone, and even some piano from Bill Evans! LP, Vinyl record album
 



⇑ Top