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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Condition Notes
If something is relevant, we try to describe it in the notes — especially
if it is release or pressing details,
or an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear, or strictly cosmetic flaws.
James Moody's first record after returning to the US from Paris – an unusual set for Mercury, a label that he didn't record for much at the time! The groups vary a bit throughout – and players include Dave Burns on trumpet, Cecil Payne on baritone, John Acea on piano, and Donald Cole ... LP, Vinyl record album
One of James Moody's first albums for Argo – and an album that features him shifting from tenor sax over to flute – and playing in a slyly seductive way that would have great implications for generations of soul jazz musicians for years to come! The sound here is never sleepy – ... LP, Vinyl record album
Sweet funky electric work from James Moody – and pretty darn nice too! The set was produced by Ed Bland, the force behind the funky James Moody (and Dizzy Gillespie) sessions for the Perception and GWP labels in years back – and at many levels, the feel here is similar to those great ... LP, Vinyl record album
Not as funky as Moody's work for Perception, but definitely in a similar mode. The record's got James playing alto, tenor, and soprano – in a group that includes Kenny Barron on electric piano, Roland Prince on guitar, and some guest trumpet by Randy Brecker. The tracks shift from warm and ... LP, Vinyl record album
A great set from James Moody, nice and edgey, with his genius firmly in place – and done at a time when he was moving past straight bop, and into some more sophisticated modes! Quincy Jones handled the arrangements, and the group swings in a variety of modes. Moody's on alto and tenor ... LP, Vinyl record album
One of those great funky records that James Moody cut for the Perception label in the early 70s – a set tha has some mighty nice piano from the great Mike Longo! Eddie Jefferson sings vocals on a hilarious version of "Pennies From Heaven", and other titles include "Heritage ... LP, Vinyl record album
One of the most unique albums from Ramsey Lewis' early years at Chess Records – a spare set of bossa groovers that has the Lewis trio with Eldee Young and Redd Holt augmented by added Brazilian percussion and guitar! The sound is spare, sharp, and soulful – and the record's one of the ... LP, Vinyl record album
Magical early work from Ahmad Jamal – a scintillating blend of piano, percussion, and bass – with a sound that was incredibly fresh at the time, and which still sounds pretty much so to our ears! The album crackles with imagination and rhythm – really hitting on all burners ... LP, Vinyl record album
One of a few rare albums from Hammond player Sam Lazar – a lesser-known artist from the same searing generation as Baby Face Willette and Jack McDuff, but a musician who never full got his due! This record was done for the Argo side of Chess Records, and it's got a raw sound that's equal ... LP, Vinyl record album
This is the original Argo issue of a session that was also issued on Winley Records under Gene Ammons name. Ammons recorded the session as a leader, but then couldn't be listed on the record because of contractual reasons. Instead, Howard McGhee's listed as the leader, but Ammons is also on here, ... LP, Vinyl record album
An obscure session for Zoot Sims – but a nice one! The group's a quartet – with Johnny Williams on piano, Gus Johnson on drums, and Knobby Totah on bass – and Zoot's blowing in an unfettered setting that reminds us a bit of Sonny Stitt in similar settings at the same time! ... LP, Vinyl record album
One of a rare few albums done by pianist Cecil Taylor for the Blue Note label in the 60s – some of the most outside work recorded for the imprint at the time! The word "structures" here is perhaps a bit misplaced – as the work has a strong sense of freedom with the soloists ... LP, Vinyl record album