This image is a general representation of the item and the actual product may differ slightly in terms of color shading, logo placement, borders, or other small details. Used items may have various cosmetic differences as well.
May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
A key early entry in the "jazz meets Broadway" genre – and a record that was so successful, it went onto inspire countless imitations! Shelly Manne's working here in a lightly playful trio setting – alongside Andre Previn on piano and Leroy Vinnegar on bass, in a reading of ... LP, Vinyl record album
A rather late recording for Pepper, but a great one played with some fierceness that you might not expect from the date of the recording. It helps that he's accompanied by a remarkable rhythm section of George Cables, George Mraz and Elvin Jones, all seasoned vets by this point, and playing with ... LP, Vinyl record album
One of the few sides ever cut as a leader by west coast clarinetist Bill Smith – and a pretty groovy session that has the group performing jazz versions of folk tunes, a gimmick that was used briefly around the same time by players that included Harold Land and Benny Bailey. The quartet ... LP, Vinyl record album
Andre Previn's got some very hip pals here – drummer Shelly Manne and bassist Red Mitchell – both frequent partners during the late 50s, especially on this classic run of jazz-Broadway records for Contemporary! The spirit here is very much like that of the famous My Fair Lady date made ... LP, Vinyl record album
Buddy Collette shows off his full range of reed skills here – blowing tenor, alto, flute, and clarinet – in varying lineups that include piano from Don Friedman and Clavin Jackson, drums from Shelly Manne, and bass from John Goodman and Leroy Vinnegar! LP, Vinyl record album
Much more interesting than some of Barney's earlier records – possibly because he's working with a hip, flexible combo – one that includes Marv Jenkins on piano and flute, Jerry Good on bass, and Stan Popper on drums. The tracks are a mix of groovers and mellow numbers – with ... LP, Vinyl record album
A very cool album that has Shelly Manne and Jack Marshall going nuts on a bunch of percussion, drums, and other odd instruments! Marshall mostly plays spare acoustic guitar, with some very nutty changes – and Manne proves that he's a very adept percussionist way past his usual west coast ... LP, Vinyl record album
A very unique album by Curtis Fuller – quite different than any of his other records at the time! The session has Curtis blowing on tunes from the score to Cabin In The Sky – arranged by Manny Albam, and performed by a large group that includes Freddy Hubbard, Hank Jones, and Bob ... LP, Vinyl record album
One of McDuff's fantastic Cadet LPs, and one that features the funky funky organist in a set of crazy arrangements written by him and Richard Evans. An amazing mix of McDuff's soul jazz organ sound with the genius that was the Chess/Cadet studio system of the late 60's – and one that yields ... LP, Vinyl record album