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May not shine under light, but should still be pretty clean,
and not too dirty.
May have a number of marks (5 to 10 at most), and obvious signs of play,
but never a big cluster of them, or any major mark that would be very deep.
Most marks should still not click under a fingernail.
May not look near perfect, but should play fairly well,
with slight surface noise, and the occasional click in part of a song,
but never throughout a whole song or more.
This is clearly a copy that was played by someone a number of times,
but which could also be a good "play copy" for someone new.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Heavy Sounds, indeed – a beautiful little set of dark-edged soul jazz from the mid 60s – co-led by bassist Richard Davis and drummer Elvin Jones! The sound here is a bit different than any work ever released by either player as a leader – and is almost more in the vein of Blue ... LP, Vinyl record album
Really moody magic from the great Yusef Lateef – an artist who was definitely using his time on the Impulse label to open up some new territory in his music! This set might well be the most experimental that Lateef had recorded to date – still filled with the exotic touches of his ... LP, Vinyl record album
One of the few cases in jazz where an oft-played classic still resonates with power! The record itself is a key cap to Miles Davis' already-groundbreaking years of the 60s – a bold step forward, not just for his nascent electric sound, but also for jazz in general – and the benchmark ... LP, Vinyl record album