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Vinyl should be very clean, but can have less luster than near mint.
Should still shine under a light, but one or two marks may show up when tilted.
Can have a few small marks that may show up easily, but which do not affect play at all. Most marks of this quality will disappear when the record is tilted, and will not be felt with the back of a fingernail.
This is the kind of record that will play "near mint", but which will have
some signs of use (although not major ones).
May have slight surface noise when played.
Additional Marks & Notes
If something is noteworthy, we try to note it in the comments — especially
if it is an oddity that is the only wrong thing about the record.
This might include, but isn't limited to, warped records, tracks that skip,
cover damage or wear as noted above, or strictly cosmetic flaws.
Mad electronic sounds from a trio of older French studio talents – Nino Nardini, Eddie Warner, and Roger Roger – all sound library giants from a previous generation, working here in some sweet electric modes for the 70s! If there's one thing that seemed to mark the best sound library ... LP, Vinyl record album
Weird and wonderful sounds from one of the coolest spots in the universe – the legendary BBC Radiophonic Workshop, home to a mix of surprisingly groovy and experimental electronic music! This album was issued on the 25th anniversary of the sonic institution – and it features a strong ... LP, Vinyl record album
A great little project from two underground legends of Italian music – keyboardist Oscar Rocchi, whose legacy includes some great jazz and sound library material – and drummer Tullio De Piscopo, who could play with avant talents, but also hit some tighter grooves for the clubs! This ... LP, Vinyl record album
Rare Italian sound library material from the enigmatic Mirageman – nice and funky, with some great piano and horns! There's a definite inspiration here from blacksploitation soundtrack work – and cuts include "Hallucination", "Paroxysm", "Apotheosis" ... LP, Vinyl record album
More of a straight jazz album than usual for the KPM sound library – an excellent set featuring British alto player Peter King – with John Horler on piano, Dave Green on bass, and Spike Wells on drums! LP, Vinyl record album
A great later sleeper from Brian Auger – a record that's much deeper and more soulful than some of his earlier work – and done in a soaring style that's really great! Alex Lighterwood sings as much as Auger plays the keys here, but that's ok with us – because he fuses his voice ... LP, Vinyl record album
One of Cannonball Adderley's late funky sessions for Fantasy – and a record that still features some mighty heavy production from David Axelrod! The album's got that core groove that Axe and Cannon first crafted together at Capitol in the 60s – but the sound here has some definite 70s ... LP, Vinyl record album